conclusion for history research paper

How to write a conclusion for a history essay

Every essay needs to end with a concluding paragraph. It is the last paragraph the marker reads, and this will typically be the last paragraph that you write.

What is a ‘concluding paragraph?

The conclusion is the final paragraph of your essay that reminds the reader about the points you have made and how it proves the argument which you stated in your hypothesis .

By the time your marker reads your conclusion, they have read all the evidence you have presented in your body paragraphs . This is your last opportunity to show that you have proven your points.

While your conclusion will talk about the same points you made in your introduction , it should not read exactly the same.  Instead, it should state the same information in a more developed form and bring the essay to an end.

In general, you should never use quotes from sources in your conclusion.

Concluding paragraph structure

While the concluding paragraph will normally be shorter than your introductory and body paragraphs , it still has a specific role to fulfil.

A well-written concluding paragraph has the following three-part structure:

• Restate your key points
• Restate your hypothesis
• Concluding sentence

Each element of this structure is explained further, with examples, below:

1. Restate your key points

In one or two sentences, restate each of the topic sentences from your body paragraphs . This is to remind the marker about how you proved your argument.

This information will be similar to your elaboration sentences in your introduction , but will be much briefer.

Since this is a summary of your entire essay’s argument, you will often want to start your conclusion with a phrase to highlight this. For example: “In conclusion”, “In summary”, “To briefly summarise”, or “Overall”.

Example restatements of key points:

Middle Ages (Year 8 Level)

In conclusion, feudal lords had initially spent vast sums of money on elaborate castle construction projects but ceased to do so as a result of the advances in gunpowder technology which rendered stone defences obsolete.

WWI (Year 9 Level)

To briefly summarise, the initially flood of Australian volunteers were encouraged by imperial propaganda but as a result of the stories harsh battlefield experience which filtered back to the home front, enlistment numbers quickly declined.

Civil Rights (Year 10 Level)

In summary, the efforts of important First Nations leaders and activist organisations to spread the idea of indigenous political equality had a significant effect on sway public opinion in favour of a ‘yes’ vote.

Ancient Rome (Year 11/12 Level)  

Overall, the Marian military reforms directly changed Roman political campaigns and the role of public opinion in military command assignments across a variety of Roman societal practices.

2. Restate your hypothesis

This is a single sentence that restates the hypothesis from your introductory paragraph .

Don’t simply copy it word-for-word. It should be restated in a different way, but still clearly saying what you have been arguing for the whole of your essay.

Make it clear to your marker that you are clearly restating you argument by beginning this sentence a phrase to highlight this. For example: “Therefore”, “This proves that”, “Consequently”, or “Ultimately”.

Example restated hypotheses:

Therefore, it is clear that while castles were initially intended to dominate infantry-dominated siege scenarios, they were abandoned in favour of financial investment in canon technologies.

This proves that the change in Australian soldiers' morale during World War One was the consequence of the mass slaughter produced by mass-produced weaponry and combat doctrine.

Consequently, the 1967 Referendum considered a public relations success because of the targeted strategies implemented by Charles Perkins, Faith Bandler and the Federal Council for the Advancement of Aborigines and Torres Strait Islanders.

Ultimately, it can be safely argued that Gaius Marius was instrumental in revolutionising the republican political, military and social structures in the 1 st century BC.

3. Concluding sentence

This is the final sentence of your conclusion that provides a final statement about the implications of your arguments for modern understandings of the topic. Alternatively, it could make a statement about what the effect of this historical person or event had on history. 

Example concluding sentences:

While these medieval structures fell into disuse centuries ago, they continue to fascinate people to this day.

The implications of the war-weariness produced by these experiences continued to shape opinions about war for the rest of the 20 th century.

Despite this, the Indigenous Peoples had to lobby successive Australian governments for further political equality, which still continues today.

Ancient Rome (Year 11/12 Level)

The impact of these changes effectively prepared the way for other political figures, like Pompey, Julius Caesar and Octavian, who would ultimately transform the Roman republic into an empire.

Putting it all together

Once you have written all three parts of, you should have a completed concluding paragraph. In the examples above, we have shown each part separately. Below you will see the completed paragraphs so that you can appreciate what a conclusion should look like.

Example conclusion paragraphs: 

In conclusion, feudal lords had initially spent vast sums of money on elaborate castle construction projects but ceased to do so as a result of the advances in gunpowder technology which rendered stone defences obsolete. Therefore, it is clear that while castles were initially intended to dominate infantry-dominated siege scenarios, they were abandoned in favour of financial investment in canon technologies. While these medieval structures fell into disuse centuries ago, they continue to fascinate people to this day.

To briefly summarise, the initially flood of Australian volunteers were encouraged by imperial propaganda, but as a result of the stories harsh battlefield experience which filtered back to the home front, enlistment numbers quickly declined. This proves that the change in Australian soldiers' morale during World War One was the consequence of the mass slaughter produced by mass-produced weaponry and combat doctrine. The implications of the war-weariness produced by these experiences continued to shape opinions about war for the rest of the 20th century.

In summary, the efforts of important indigenous leaders and activist organisations to spread the idea of indigenous political equality had a significant effect on sway public opinion in favour of a ‘yes’ vote. Consequently, the 1967 Referendum considered a public relations success because of the targeted strategies implemented by Charles Perkins, Faith Bandler and the Federal Council for the Advancement of Aborigines and Torres Strait Islanders. Despite this, the Indigenous Peoples had to lobby successive Australian governments for further political equality, which still continues today.

Overall, the Marian military reforms directly changed Roman political campaigns and the role of public opinion in military command assignments across a variety of Roman societal practices. Ultimately, it can be safely argued that Gaius Marius was instrumental in revolutionising the republican political, military and social structures in the 1st century BC. The impact of these changes effectively prepared the way for other political figures, like Pompey, Julius Caesar and Octavian, who would ultimately transform the Roman republic into an empire.

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Introduction and Conclusion

INTRODUCTIONS The introduction of a paper must introduce its thesis and not just its topic. Readers will lose some—if not much—of what the paper says if the introduction does not prepare them for what is coming (and tell them what to look for and how to evaluate it).

For example, an introduction that says, “The British army fought in the battle of Saratoga” gives the reader virtually no guidance about the paper’s thesis (i.e., what the paper concludes/argues about the British army at Saratoga).

History papers are not mystery novels. Historians WANT and NEED to give away the ending immediately. Their conclusions—presented in the introduction—help the reader better follow/understand their ideas and interpretations.

In other words, an introduction is a MAP that lays out “the trip the author is going to take [readers] on” and thus “lets readers connect any part of the argument with the overall structure. Readers with such a map seldom get confused or lost.”1

Introductions do four things:

attract the ATTENTION of the reader convince the reader that he/she NEEDS TO READ what the author has to say define the paper’s SPECIFIC TOPIC state and explain the paper’s THESIS Writing the introduction: Consider writing the introduction AFTER finishing your paper. By then, you will know what your paper says. You will have thought it through and provided arguments and supporting evidence; therefore, you will know what the reader needs to know—in brief form—in the introduction. (Always think of your initial introduction as “getting started” and as something that “won’t count.” It is for your eyes only; discard it when you know exactly what your paper says.) A common technique is to turn your conclusion into an introduction. It usually reflects what is in the paper—topic, thesis, arguments, evidence—and can be easily adjusted to be a clear and useful introduction.

Some types of introductions:

Quotation Historical overview (provides introduction to topic AND background so that fewer explanations are needed later in paper) Review of literature or a controversy Statistics or startling evidence Anecdote or illustration Question From general to specific OR specific to general Avoid:

“The purpose of this paper is . . .” OR “This paper is about . . . .” First person (e.g., “I will argue that”) Too many questions Dictionary definitions Length: There is no rule other than to be logical. Short papers require short introductions (e.g., a short paragraph); longer ones may require a page or more to provide all that a reader needs. Longer papers require ELABORATION of the thesis; a sentence is not sufficient to prepare the reader for the many pages of arguments and evidence that follow.

CONCLUSIONS Conclusions are the last thing that readers read; they define readers’ final impression of a paper. A flat, boring conclusion means a flat, boring (or, at least, disappointing) paper.

Conclusions should be a climax, not an anti-climax. They do not just restate what has already been said; they interpret, speculate, and provoke thinking.

Some types of conclusions:

Statement of subject’s significance Call for further research Recommendation or speculation Comparison of part to present Anecdote Quotation Questions (with or without answers) Avoid:

“In conclusion”; “finally”; “thus” Additional or new ideas that introduce a new paper First person Length: Again, there is no rule, although too short conclusions should definitely be avoided. Short conclusions leave the reader on the edge of a cliff with no directions on how to get down.

You are the expert – help your reader pull together and appreciate what he/she has read.

____________________________ 1Howard Becker, Writing for Social Scientists (Chicago: University of Chicago Press, 1986).

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Organizing Your Social Sciences Research Paper

• 9. The Conclusion
• Purpose of Guide
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• Reading Research Effectively
• Narrowing a Topic Idea
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The conclusion is intended to help the reader understand why your research should matter to them after they have finished reading the paper. A conclusion is not merely a summary of the main topics covered or a re-statement of your research problem, but a synthesis of key points derived from the findings of your study and, if applicable based on your analysis, explain new areas for future research. For most college-level research papers, two or three well-developed paragraphs is sufficient for a conclusion, although in some cases, more paragraphs may be required in describing the key findings and highlighting their significance.

Conclusions. The Writing Center. University of North Carolina; Conclusions. The Writing Lab and The OWL. Purdue University.

Importance of a Good Conclusion

A well-written conclusion provides important opportunities to demonstrate to the reader your understanding of the research problem. These include:

• Presenting the last word on the issues you raised in your paper . Just as the introduction gives a first impression to your reader, the conclusion offers a chance to leave a lasting impression. Do this, for example, by highlighting key findings in your analysis that advance new understanding about the research problem, that are unusual or unexpected, or that have important implications applied to practice.
• Summarizing your thoughts and conveying the larger significance of your study . The conclusion is an opportunity to succinctly re-emphasize  your answer to the "So What?" question by placing the study within the context of how your research advances past studies about the topic.
• Identifying how a gap in the literature has been addressed . The conclusion can be where you describe how a previously identified gap in the literature [first identified in your literature review section] has been addressed by your research and why this contribution is significant.
• Demonstrating the importance of your ideas . Don't be shy. The conclusion offers an opportunity to elaborate on the impact and significance of your findings. This is particularly important if your study approached examining the research problem from an unusual or innovative perspective.
• Introducing possible new or expanded ways of thinking about the research problem . This does not refer to introducing new information [which should be avoided], but to offer new insight and creative approaches for framing or contextualizing the research problem based on the results of your study.

Bunton, David. “The Structure of PhD Conclusion Chapters.” Journal of English for Academic Purposes 4 (July 2005): 207–224; Conclusions. The Writing Center. University of North Carolina; Kretchmer, Paul. Twelve Steps to Writing an Effective Conclusion. San Francisco Edit, 2003-2008; Conclusions. The Writing Lab and The OWL. Purdue University; Assan, Joseph. "Writing the Conclusion Chapter: The Good, the Bad and the Missing." Liverpool: Development Studies Association (2009): 1-8.

Structure and Writing Style

I.  General Rules

The general function of your paper's conclusion is to restate the main argument . It reminds the reader of your main argument(s) strengths and reiterates the most important evidence supporting those argument(s). Do this by clearly summarizing the context, background, and the necessity of examining the research problem in relation to an issue, controversy, or a gap found in the literature. However, make sure that your conclusion is not simply a repetitive summary of the findings. This reduces the impact of the argument(s) you have developed in your paper.

When writing the conclusion to your paper, follow these general rules:

• Present your conclusions in clear, concise language. Re-state the purpose of your study, then describe how your findings differ or support those of other studies and why [i.e., describe what were the unique, new, or crucial contributions your study made to the overall research about your topic].
• Do not simply reiterate your findings or the discussion of your results. Provide a synthesis of arguments presented in the paper to show how these converge to address the research problem and the overall objectives of your study.
• Indicate opportunities for future research if you haven't already done so in the discussion section of your paper. Highlighting the need for further research provides the reader with evidence that you have an in-depth awareness of the research problem but that further analysis should take place beyond the scope of your investigation.

Consider the following points to help ensure your conclusion is presented well:

• If the argument or purpose of your paper is complex, you may need to summarize the argument for your reader.
• If, prior to your conclusion, you have not yet explained the significance of your findings or if you are proceeding inductively, use the end of your paper to describe your main points and explain their significance.
• Move from a detailed to a general level of consideration that returns the topic to the context provided by the introduction or within a new context that emerges from the data [this is opposite of the introduction, which begins with general discussion of the context and ends with a detailed description of the research problem]. 

The conclusion also provides a place for you to persuasively and succinctly restate the research problem, given that the reader has now been presented with all the information about the topic . Depending on the discipline you are writing in, the concluding paragraph may contain your reflections on the evidence presented. However, the nature of being introspective about the research you have conducted will depend on the topic and whether your professor wants you to express your observations in this way. If asked to think introspectively about the topic, do not delve into idle speculation. Being introspective means looking within yourself as an author to try and understand an issue more deeply, not to guess at possible outcomes or make up scenarios not supported by the evidence.

II.  Developing a Compelling Conclusion

Although an effective conclusion needs to be clear and succinct, it does not need to be written passively or lack a compelling narrative. Strategies to help you move beyond merely summarizing the key points of your research paper may include any of the following:

• If your paper addresses a critical, contemporary problem, warn readers of the possible consequences of not attending to the problem proactively based on the evidence presented in your study.
• Recommend a specific course or courses of action that, if adopted, could address a specific problem in practice or in the development of new knowledge leading to positive change.
• Cite a relevant quotation or expert opinion already noted in your paper in order to lend authority and support to the conclusion(s) you have reached [a good source would be from a source cited in your literature review].
• Explain the consequences of your research in a way that elicits action or demonstrates urgency in seeking change.
• Restate a key statistic, fact, or visual image to emphasize the most important finding of your paper.
• If your discipline encourages personal reflection, illustrate your concluding point by drawing from your own life experiences.
• Return to an anecdote, an example, or a quotation that you presented in your introduction, but add further insight derived from the findings of your study; use your interpretation of results from your study to recast it in new or important ways.
• Provide a "take-home" message in the form of a succinct, declarative statement that you want the reader to remember about your study.

III. Problems to Avoid

Failure to be concise Your conclusion section should be concise and to the point. Conclusions that are too lengthy often have unnecessary information in them. The conclusion is not the place for details about your methodology or results. Although you should give a summary of what was learned from your research, this summary should be relatively brief, since the emphasis in the conclusion is on the implications, evaluations, insights, and other forms of analysis that you make. Strategies for writing concisely can be found here .

Failure to comment on larger, more significant issues In the introduction, your task was to move from the general [topic studied within the field of study] to the specific [the research problem]. However, in the conclusion, your task is to move the discussion from specific [your research problem] back to a general discussion framed around the implications and significance of your findings [i.e., how your research contributes new understanding or fills an important gap in the literature]. In short, the conclusion is where you should place your research within a larger context [visualize the structure of your paper as an hourglass--start with a broad introduction and review of the literature, move to the specific method of analysis and the discussion, conclude with a broad summary of the study's implications and significance].

Failure to reveal problems and negative results Negative aspects of the research process should never be ignored. These are problems, deficiencies, or challenges encountered during your study. They should be summarized as a way of qualifying your overall conclusions. If you encountered negative or unintended results [i.e., findings that are validated outside the research context in which they were generated], you must report them in the results section and discuss their implications in the discussion section of your paper. In the conclusion, use negative or surprising results as an opportunity to explain their possible significance and/or how they may form the basis for future research.

Failure to provide a clear summary of what was learned In order to discuss how your research fits within your field of study [and possibly the world at large], you need to summarize briefly and succinctly how it contributes to new knowledge or a new understanding about the research problem. This element of your conclusion may be only a few sentences long, but it often represents the key takeaway for your reader.

Failure to match the objectives of your research Often research objectives in the social and behavioral sciences change while the research is being carried out due to unforeseen factors or unanticipated variables. This is not a problem unless you forget to go back and refine the original objectives in your introduction. As these changes emerge they must be documented so that they accurately reflect what you were trying to accomplish in your research [not what you thought you might accomplish when you began].

Resist the urge to apologize If you've immersed yourself in studying the research problem, you presumably should know a good deal about it [perhaps even more than your professor!]. Nevertheless, by the time you have finished writing, you may be having some doubts about what you have produced. Repress those doubts! Don't undermine your authority as a researcher by saying something like, "This is just one approach to examining this problem; there may be other, much better approaches that...." The overall tone of your conclusion should convey confidence to the reader concerning the validity and realiability of your research.

Assan, Joseph. "Writing the Conclusion Chapter: The Good, the Bad and the Missing." Liverpool: Development Studies Association (2009): 1-8; Concluding Paragraphs. College Writing Center at Meramec. St. Louis Community College; Conclusions. The Writing Center. University of North Carolina; Conclusions. The Writing Lab and The OWL. Purdue University; Freedman, Leora  and Jerry Plotnick. Introductions and Conclusions. The Lab Report. University College Writing Centre. University of Toronto; Leibensperger, Summer. Draft Your Conclusion. Academic Center, the University of Houston-Victoria, 2003; Make Your Last Words Count. The Writer’s Handbook. Writing Center. University of Wisconsin Madison; Miquel, Fuster-Marquez and Carmen Gregori-Signes. “Chapter Six: ‘Last but Not Least:’ Writing the Conclusion of Your Paper.” In Writing an Applied Linguistics Thesis or Dissertation: A Guide to Presenting Empirical Research . John Bitchener, editor. (Basingstoke,UK: Palgrave Macmillan, 2010), pp. 93-105; Tips for Writing a Good Conclusion. Writing@CSU. Colorado State University; Kretchmer, Paul. Twelve Steps to Writing an Effective Conclusion. San Francisco Edit, 2003-2008; Writing Conclusions. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University; Writing: Considering Structure and Organization. Institute for Writing Rhetoric. Dartmouth College.

Writing Tip

Don't Belabor the Obvious!

Avoid phrases like "in conclusion...," "in summary...," or "in closing...." These phrases can be useful, even welcome, in oral presentations. But readers can see by the tell-tale section heading and number of pages remaining that they are reaching the end of your paper. You'll irritate your readers if you belabor the obvious.

Assan, Joseph. "Writing the Conclusion Chapter: The Good, the Bad and the Missing." Liverpool: Development Studies Association (2009): 1-8.

Another Writing Tip

New Insight, Not New Information!

Don't surprise the reader with new information in your conclusion that was never referenced anywhere else in the paper. This is why the conclusion rarely has citations to sources that haven't been referenced elsewhere in your paper. If you have new information to present, add it to the discussion or other appropriate section of the paper. Note that, although no new information is introduced, the conclusion, along with the discussion section, is where you offer your most "original" contributions in the paper; the conclusion is where you describe the value of your research, demonstrate that you understand the material that you have presented, and position your findings within the larger context of scholarship on the topic, including describing how your research contributes new insights to that scholarship.

Assan, Joseph. "Writing the Conclusion Chapter: The Good, the Bad and the Missing." Liverpool: Development Studies Association (2009): 1-8; Conclusions. The Writing Center. University of North Carolina.

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Writing a Good History Paper

• Top Ten Reasons for Negative Comments
• Making Sure your Paper has Substance

Common Marginal Remarks on Style, Clarity, Grammar, and Syntax

Word and phrase usage problems, analyzing a historical document, writing a book review, writing a term paper or senior thesis, top ten reasons for negative comments on history papers.

(Drawn from a survey of the History Department ) 10. You engage in cheap, anachronistic moralizing .  9. You are sloppy with the chronology .  8. You quote excessively or improperly .  7. You have written a careless “one-draft wonder.” (See revise and proofread)  6. You are vague or have empty, unsupported generalizations .  5. You write too much in the passive voice.  4. You use inappropriate sources .  3. You use evidence uncritically.  2. You are wordy .  1. You have no clear thesis and little analysis.

Making Sure your History Paper has Substance

Get off to a good start..

Avoid pretentious, vapid beginnings. If you are writing a paper on, say, British responses to the rebellion in India in 1857, don't open with a statement like this: “Throughout human history people in all cultures everywhere in the world have engaged in many and long-running conflicts about numerous aspects of government policy and diplomatic issues, which have much interested historians and generated historical theories in many areas.” This is pure garbage, bores the reader, and is a sure sign that you have nothing substantive to say. Get to the point. Here’s a better start: “The rebellion in 1857 compelled the British to rethink their colonial administration in India.” This sentence tells the reader what your paper is actually about and clears the way for you to state your thesis in the rest of the opening paragraph. For example, you might go on to argue that greater British sensitivity to Indian customs was hypocritical.

State a clear thesis.

Whether you are writing an exam essay or a senior thesis, you need to have a thesis. Don’t just repeat the assignment or start writing down everything that you know about the subject. Ask yourself, “What exactly am I trying to prove?” Your thesis is your take on the subject, your perspective, your explanation—that is, the case that you’re going to argue. “Famine struck Ireland in the 1840s” is a true statement, but it is not a thesis. “The English were responsible for famine in Ireland in the 1840s” is a thesis (whether defensible or not is another matter). A good thesis answers an important research question about how or why something happened. (“Who was responsible for the famine in Ireland in the 1840s?”) Once you have laid out your thesis, don’t forget about it. Develop your thesis logically from paragraph to paragraph. Your reader should always know where your argument has come from, where it is now, and where it is going.

Be sure to analyze.

Students are often puzzled when their professors mark them down for summarizing or merely narrating rather than analyzing. What does it mean to analyze? In the narrow sense, to analyze means to break down into parts and to study the interrelationships of those parts. If you analyze water, you break it down into hydrogen and oxygen. In a broader sense, historical analysis explains the origins and significance of events. Historical analysis digs beneath the surface to see relationships or distinctions that are not immediately obvious. Historical analysis is critical; it evaluates sources, assigns significance to causes, and weighs competing explanations. Don’t push the distinction too far, but you might think of summary and analysis this way: Who, what, when, and where are the stuff of summary; how, why, and to what effect are the stuff of analysis. Many students think that they have to give a long summary (to show the professor that they know the facts) before they get to their analysis. Try instead to begin your analysis as soon as possible, sometimes without any summary at all. The facts will “shine through” a good analysis. You can't do an analysis unless you know the facts, but you can summarize the facts without being able to do an analysis. Summary is easier and less sophisticated than analysis—that’s why summary alone never earns an “A.”

Use evidence critically.

Like good detectives, historians are critical of their sources and cross-check them for reliability. You wouldn't think much of a detective who relied solely on a suspect’s archenemy to check an alibi. Likewise, you wouldn't think much of a historian who relied solely on the French to explain the origins of World War I. Consider the following two statements on the origin of World War I: 1) “For the catastrophe of 1914 the Germans are responsible. Only a professional liar would deny this...” 2) “It is not true that Germany is guilty of having caused this war. Neither the people, the government, nor the Kaiser wanted war....”  They can’t both be right, so you have to do some detective work. As always, the best approach is to ask: Who wrote the source? Why? When? Under what circumstances? For whom? The first statement comes from a book by the French politician Georges Clemenceau, which he wrote in 1929 at the very end of his life. In 1871, Clemenceau had vowed revenge against Germany for its defeat of France in the Franco-Prussian War. As premier of France from 1917 to 1920, he represented France at the Paris Peace Conference in 1919. He was obviously not a disinterested observer. The second statement comes from a manifesto published by ninety-three prominent German intellectuals in the fall of 1914. They were defending Germany against charges of aggression and brutality. They too were obviously not disinterested observers. Now, rarely do you encounter such extreme bias and passionate disagreement, but the principle of criticizing and cross-checking sources always applies. In general, the more sources you can use, and the more varied they are, the more likely you are to make a sound historical judgment, especially when passions and self-interests are engaged. You don’t need to be cynical as a historian (self-interest does not explain everything), but you do need to be critical and skeptical. Competent historians may offer different interpretations of the same evidence or choose to stress different evidence. You will not find a single historical Truth with a capital “T” on any matter of significance. You can, however, learn to discriminate among conflicting interpretations, not all of which are created equal. (See also: Analyzing a Historical Document )

Be precise.

Vague statements and empty generalizations suggest that you haven't put in the time to learn the material. Consider these two sentences: “During the French Revolution, the government was overthrown by the people. The Revolution is important because it shows that people need freedom.” What people? Landless peasants? Urban journeymen? Wealthy lawyers? Which government? When? How? Who exactly needed freedom, and what did they mean by freedom? Here is a more precise statement about the French Revolution: “Threatened by rising prices and food shortages in 1793, the Parisian sans-culottes pressured the Convention to institute price controls.” This statement is more limited than the grandiose generalizations about the Revolution, but unlike them, it can open the door to a real analysis of the Revolution. Be careful when you use grand abstractions like people, society, freedom, and government, especially when you further distance yourself from the concrete by using these words as the apparent antecedents for the pronouns they and it. Always pay attention to cause and effect. Abstractions do not cause or need anything; particular people or particular groups of people cause or need things. Avoid grandiose trans-historical generalizations that you can’t support. When in doubt about the appropriate level of precision or detail, err on the side of adding “too much” precision and detail.

Watch the chronology.

Anchor your thesis in a clear chronological framework and don't jump around confusingly. Take care to avoid both anachronisms and vagueness about dates. If you write, “Napoleon abandoned his Grand Army in Russia and caught the redeye back to Paris,” the problem is obvious. If you write, “Despite the Watergate scandal, Nixon easily won reelection in 1972,” the problem is more subtle, but still serious. (The scandal did not become public until after the election.) If you write, “The revolution in China finally succeeded in the twentieth century,” your professor may suspect that you haven’t studied. Which revolution? When in the twentieth century? Remember that chronology is the backbone of history. What would you think of a biographer who wrote that you graduated from Hamilton in the 1950s?

Cite sources carefully.

Your professor may allow parenthetical citations in a short paper with one or two sources, but you should use footnotes for any research paper in history. Parenthetical citations are unaesthetic; they scar the text and break the flow of reading. Worse still, they are simply inadequate to capture the richness of historical sources. Historians take justifiable pride in the immense variety of their sources. Parenthetical citations such as (Jones 1994) may be fine for most of the social sciences and humanities, where the source base is usually limited to recent books and articles in English. Historians, however, need the flexibility of the full footnote. Try to imagine this typical footnote (pulled at random from a classic work of German history) squeezed into parentheses in the body of the text: DZA Potsdam, RdI, Frieden 5, Erzgebiet von Longwy-Briey, Bd. I, Nr. 19305, gedruckte Denkschrift für OHL und Reichsleitung, Dezember 1917, und in RWA, Frieden Frankreich Nr. 1883. The abbreviations are already in this footnote; its information cannot be further reduced. For footnotes and bibliography, historians usually use Chicago style. (The Chicago Manual of Style. 15th edition. Chicago: University of Chicago Press, 2003.) On the Writing Center’s website you can find a useful summary of Chicago citation style prepared by a former history major, Elizabeth Rabe ’04 ( Footnotes ). RefWorks (on the library’s website) will convert your citations to Chicago style. Don’t hesitate to ask one of the reference librarians for help if you have trouble getting started on RefWorks.

Use primary sources.

Use as many primary sources as possible in your paper. A primary source is one produced by a participant in or witness of the events you are writing about. A primary source allows the historian to see the past through the eyes of direct participants. Some common primary sources are letters, diaries, memoirs, speeches, church records, newspaper articles, and government documents of all kinds. The capacious genre “government records” is probably the single richest trove for the historian and includes everything from criminal court records, to tax lists, to census data, to parliamentary debates, to international treaties—indeed, any records generated by governments. If you’re writing about culture, primary sources may include works of art or literature, as well as philosophical tracts or scientific treatises—anything that comes under the broad rubric of culture. Not all primary sources are written. Buildings, monuments, clothes, home furnishings, photographs, religious relics, musical recordings, or oral reminiscences can all be primary sources if you use them as historical clues. The interests of historians are so broad that virtually anything can be a primary source. (See also: Analyzing a Historical Document )

Use scholarly secondary sources.

A secondary source is one written by a later historian who had no part in what he or she is writing about. (In the rare cases when the historian was a participant in the events, then the work—or at least part of it—is a primary source.) Historians read secondary sources to learn about how scholars have interpreted the past. Just as you must be critical of primary sources, so too you must be critical of secondary sources. You must be especially careful to distinguish between scholarly and non-scholarly secondary sources. Unlike, say, nuclear physics, history attracts many amateurs. Books and articles about war, great individuals, and everyday material life dominate popular history. Some professional historians disparage popular history and may even discourage their colleagues from trying their hand at it. You need not share their snobbishness; some popular history is excellent. But—and this is a big but—as a rule, you should avoid popular works in your research, because they are usually not scholarly. Popular history seeks to inform and entertain a large general audience. In popular history, dramatic storytelling often prevails over analysis, style over substance, simplicity over complexity, and grand generalization over careful qualification. Popular history is usually based largely or exclusively on secondary sources. Strictly speaking, most popular histories might better be called tertiary, not secondary, sources. Scholarly history, in contrast, seeks to discover new knowledge or to reinterpret existing knowledge. Good scholars wish to write clearly and simply, and they may spin a compelling yarn, but they do not shun depth, analysis, complexity, or qualification. Scholarly history draws on as many primary sources as practical. Now, your goal as a student is to come as close as possible to the scholarly ideal, so you need to develop a nose for distinguishing the scholarly from the non-scholarly. Here are a few questions you might ask of your secondary sources (bear in mind that the popular/scholarly distinction is not absolute, and that some scholarly work may be poor scholarship). Who is the author? Most scholarly works are written by professional historians (usually professors) who have advanced training in the area they are writing about. If the author is a journalist or someone with no special historical training, be careful. Who publishes the work? Scholarly books come from university presses and from a handful of commercial presses (for example, Norton, Routledge, Palgrave, Penguin, Rowman & Littlefield, Knopf, and HarperCollins). If it’s an article, where does it appear? Is it in a journal subscribed to by our library, listed on JSTOR , or published by a university press? Is the editorial board staffed by professors? Oddly enough, the word journal in the title is usually a sign that the periodical is scholarly. What do the notes and bibliography look like? If they are thin or nonexistent, be careful. If they are all secondary sources, be careful. If the work is about a non-English-speaking area, and all the sources are in English, then it's almost by definition not scholarly. Can you find reviews of the book in the data base Academic Search Premier? If the book was published within the last few decades, and it’s not in there, that’s a bad sign. With a little practice, you can develop confidence in your judgment—and you’re on your way to being a historian. If you are unsure whether a work qualifies as scholarly, ask your professor. (See also: Writing a Book Review )

Avoid abusing your sources.

Many potentially valuable sources are easy to abuse. Be especially alert for these five abuses: Web abuse. The Web is a wonderful and improving resource for indexes and catalogs. But as a source for primary and secondary material for the historian, the Web is of limited value. Anyone with the right software can post something on the Web without having to get past trained editors, peer reviewers, or librarians. As a result, there is a great deal of garbage on the Web. If you use a primary source from the Web, make sure that a respected intellectual institution stands behind the site. Be especially wary of secondary articles on the Web, unless they appear in electronic versions of established print journals (e.g., The Journal of Asian Studies in JSTOR). Many articles on the Web are little more than third-rate encyclopedia entries. When in doubt, check with your professor. With a few rare exceptions, you will not find scholarly monographs in history (even recent ones) on the Web. You may have heard of Google’s plans to digitize the entire collections of some of the world’s major libraries and to make those collections available on the Web. Don’t hold your breath. Your days at Hamilton will be long over by the time the project is finished. Besides, your training as a historian should give you a healthy skepticism of the giddy claims of technophiles. Most of the time and effort of doing history goes into reading, note-taking, pondering, and writing. Finding a chapter of a book on the Web (as opposed to getting the physical book through interlibrary loan) might be a convenience, but it doesn’t change the basics for the historian. Moreover, there is a subtle, but serious, drawback with digitized old books: They break the historian’s sensual link to the past. And of course, virtually none of the literally trillions of pages of archival material is available on the Web. For the foreseeable future, the library and the archive will remain the natural habitats of the historian. Thesaurus abuse. How tempting it is to ask your computer’s thesaurus to suggest a more erudite-sounding word for the common one that popped into your mind! Resist the temptation. Consider this example (admittedly, a bit heavy-handed, but it drives the point home): You’re writing about the EPA’s programs to clean up impure water supplies. Impure seems too simple and boring a word, so you bring up your thesaurus, which offers you everything from incontinent to meretricious. “How about meretricious water?” you think to yourself. “That will impress the professor.” The problem is that you don’t know exactly what meretricious means, so you don’t realize that meretricious is absurdly inappropriate in this context and makes you look foolish and immature. Use only those words that come to you naturally. Don’t try to write beyond your vocabulary. Don’t try to impress with big words. Use a thesaurus only for those annoying tip-of-the-tongue problems (you know the word and will recognize it instantly when you see it, but at the moment you just can’t think of it).  Quotation book abuse. This is similar to thesaurus abuse. Let’s say you are writing a paper on Alexander Hamilton’s banking policies, and you want to get off to a snappy start that will make you seem effortlessly learned. How about a quotation on money? You click on the index of Bartlett’s Familiar Quotations , and before you know it, you’ve begun your paper with, “As Samuel Butler wrote in Hudibras ,  ‘For what is worth in anything/ But so much money as ’t will bring?’” Face it, you’re faking it. You don’t know who Samuel Butler is, and you’ve certainly never heard of Hudibras , let alone read it. Your professor is not fooled. You sound like an insecure after-dinner speaker. Forget Bartlett’s, unless you're confirming the wording of a quotation that came to you spontaneously and relates to your paper.  Encyclopedia abuse. General encyclopedias like Britannica are useful for checking facts (“Wait a sec, am I right about which countries sent troops to crush the Boxer Rebellion in China? Better check.”). But if you are footnoting encyclopedias in your papers, you are not doing college-level research.

Dictionary Abuse. The dictionary is your friend. Keep it by your side as you write, but do not abuse it by starting papers with a definition. You may be most tempted to start this way when you are writing on a complex, controversial, or elusive subject. (“According to Webster’s Collegiate Dictionary , liberalism is defined as...”). Actually, the dictionary does you little good in such cases and makes you sound like a conscientious but dull high-school student. Save in the rare case that competing dictionary definitions are the subject at hand, keep dictionary quotations out of your paper.

Quote sparingly

Avoid quoting a secondary source and then simply rewording or summarizing the quotation, either above or below the quotation. It is rarely necessary to quote secondary sources at length, unless your essay focuses on a critical analysis of the author’s argument. (See also: Writing a Book Review ) Your professor wants to see your ability to analyze and to understand the secondary sources. Do not quote unless the quotation clarifies or enriches your analysis. When in doubt, do not quote; instead, integrate the author’s argument into your own (though be sure to acknowledge ideas from your sources, even when you are paraphrasing). If you use a lot of quotations from secondary sources, you are probably writing a poor paper. An analysis of a primary source, such as a political tract or philosophical essay, might require lengthy quotations, often in block format. In such cases, you might need to briefly repeat key points or passages as a means to introduce the author’s ideas, but your analysis and interpretation of the text’s meaning should remain the most important aim. (See also: Using primary sources and Use scholarly secondary sources .)

Know your audience

Unless instructed otherwise, you should assume that your audience consists of educated, intelligent, nonspecialists. In fact, your professor will usually be your only reader, but if you write directly to your professor, you may become cryptic or sloppy (oh well, she’ll know what I’m talking about). Explaining your ideas to someone who doesn't know what you mean forces you to be clear and complete. Now, finding the right amount of detail can, admittedly, be tricky (how much do I put in about the Edict of Nantes, the Embargo Act, or President Wilson’s background?). When in doubt, err on the side of putting in extra details. You’ll get some leeway here if you avoid the extremes (my reader’s an ignoramus/my reader knows everything).

Avoid cheap, anachronistic moralizing

Many of the people and institutions of the past appear unenlightened, ignorant, misguided, or bigoted by today’s values. Resist the temptation to condemn or to get self-righteous. (“Martin Luther was blind to the sexism and class prejudice of sixteenth-century German society.”) Like you, people in the past were creatures of their time; like you, they deserve to be judged by the standards of their time. If you judge the past by today’s standards (an error historians call “presentism”), you will never understand why people thought or acted as they did. Yes, Hitler was a bad guy, but he was bad not only by today’s standards, but also by the commonly accepted standards of his own time. Someday you’re going to look pretty foolish and ignorant yourself. (“Early twenty-first century Hamilton students failed to see the shocking inderdosherism [that’s right, you don’t recognize the concept because it doesn’t yet exist] implicit in their career plans.”)

Have a strong conclusion

Obviously, you should not just stop abruptly as though you have run out of time or ideas. Your conclusion should conclude something. If you merely restate briefly what you have said in your paper, you give the impression that you are unsure of the significance of what you have written. A weak conclusion leaves the reader unsatisfied and bewildered, wondering why your paper was worth reading. A strong conclusion adds something to what you said in your introduction. A strong conclusion explains the importance and significance of what you have written. A strong conclusion leaves your reader caring about what you have said and pondering the larger implications of your thesis. Don’t leave your reader asking, “So what?”

Revise and proofread

Your professor can spot a “one-draft wonder,” so don't try to do your paper at the last moment. Leave plenty of time for revising and proofreading. Show your draft to a writing tutor or other good writer. Reading the draft aloud may also help. Of course, everyone makes mistakes, and a few may slip through no matter how meticulous you are. But beware of lots of mistakes. The failure to proofread carefully suggests that you devoted little time and effort to the assignment. Tip: Proofread your text both on the screen and on a printed copy. Your eyes see the two differently. Don’t rely on your spell checker to catch all of your misspellings. (If ewe ken reed this ewe kin sea that a computer wood nut all ways help ewe spill or rite reel good.)

Note: The Writing Center suggests standard abbreviations for noting some of these problems. You should familiarize yourself with those abbreviations, but your professor may not use them.  

Remarks on Style and Clarity

Wordy/verbose/repetitive..

Try your hand at fixing this sentence: “Due to the fact that these aspects of the issue of personal survival have been raised by recently transpired problematic conflicts, it is at the present time paramount that the ultimate psychological end of suicide be contemplated by this individual.” If you get it down to “To be or not to be, that is the question,” you’ve done well. You may not match Shakespeare, but you can learn to cut the fat out of your prose. The chances are that the five pages you’ve written for your history paper do not really contain five pages’ worth of ideas.

Misuse of the passive voice.

Write in the active voice. The passive voice encourages vagueness and dullness; it enfeebles verbs; and it conceals agency, which is the very stuff of history. You know all of this almost instinctively. What would you think of a lover who sighed in your ear, “My darling, you are loved by me!”? At its worst, the passive voice—like its kin, bureaucratic language and jargon—is a medium for the dishonesty and evasion of responsibility that pervade contemporary American culture. (“Mistakes were made; I was given false information.” Now notice the difference: “I screwed up; Smith and Jones lied to me; I neglected to check the facts.”) On history papers the passive voice usually signals a less toxic version of the same unwillingness to take charge, to commit yourself, and to say forthrightly what is really going on, and who is doing what to whom. Suppose you write, “In 1935 Ethiopia was invaded.” This sentence is a disaster. Who invaded? Your professor will assume that you don't know. Adding “by Italy” to the end of the sentence helps a bit, but the sentence is still flat and misleading. Italy was an aggressive actor, and your passive construction conceals that salient fact by putting the actor in the syntactically weakest position—at the end of the sentence as the object of a preposition. Notice how you add vigor and clarity to the sentence when you recast it in the active voice: "In 1935 Italy invaded Ethiopia." I n a few cases , you may violate the no-passive-voice rule. The passive voice may be preferable if the agent is either obvious (“Kennedy was elected in 1960”), irrelevant (“Theodore Roosevelt became president when McKinley was assassinated”), or unknown (“King Harold was killed at the Battle of Hastings”). Note that in all three of these sample sentences the passive voice focuses the reader on the receiver of the action rather than on the doer (on Kennedy, not on American voters; on McKinley, not on his assassin; on King Harold, not on the unknown Norman archer). Historians usually wish to focus on the doer, so you should stay with the active voice—unless you can make a compelling case for an exception.

Abuse of the verb to be.

The verb to be is the most common and most important verb in English, but too many verbs to be suck the life out of your prose and lead to wordiness. Enliven your prose with as many action verbs as possible. ( “In Brown v. Board of Education it was the opinion of the Supreme Court that the doctrine of ‘separate but equal’ was in violation of the Fourteenth Amendment.”) Rewrite as “ In Brown v. Board of Education the Supreme Court ruled that the doctrine of ‘separate but equal’ violated the Fourteenth ”

Explain/what’s your point?/unclear/huh?

You may (or may not) know what you’re talking about, but if you see these marginal comments, you have confused your reader. You may have introduced a non sequitur ; gotten off the subject; drifted into abstraction; assumed something that you have not told the reader; failed to explain how the material relates to your argument; garbled your syntax; or simply failed to proofread carefully.  If possible, have a good writer read your paper and point out the muddled parts. Reading your paper aloud may help too.

Paragraph goes nowhere/has no point or unity.

Paragraphs are the building blocks of your paper. If your paragraphs are weak, your paper cannot be strong. Try underlining the topic sentence of every paragraph. If your topic sentences are vague, strength and precision—the hallmarks of good writing—are unlikely to follow. Consider this topic sentence (from a paper on Ivan the Terrible): “From 1538 to 1547, there are many different arguments about the nature of what happened.”  Disaster looms. The reader has no way of knowing when the arguing takes place, who’s arguing, or even what the arguing is about. And how does the “nature of what happened” differ from plain “what happened”? Perhaps the writer means the following: “The childhood of Ivan the Terrible has provoked controversy among scholars of Russian history.” That's hardly deathless prose, but it does orient the reader and make the writer accountable for what follows in the paragraph. Once you have a good topic sentence, make sure that everything in the paragraph supports that sentence, and that cumulatively the support is persuasive. Make sure that each sentence follows logically from the previous one, adding detail in a coherent order. Move, delete, or add material as appropriate. To avoid confusing the reader, limit each paragraph to one central idea. (If you have a series of supporting points starting with first, you must follow with a second, third , etc.) A paragraph that runs more than a printed page is probably too long. Err on the side of shorter paragraphs.

Inappropriate use of first person.

Most historians write in the third person, which focuses the reader on the subject. If you write in the first person singular, you shift the focus to yourself. You give the impression that you want to break in and say, “Enough about the Haitian revolution [or whatever], now let’s talk about me!” Also avoid the first person plural (“We believe...”). It suggests committees, editorial boards, or royalty. None of those should have had a hand in writing your paper. And don’t refer to yourself lamely as “this writer.” Who else could possibly be writing the paper?

Tense inconsistency.

Stay consistently in the past tense when you are writing about what took place in the past. (“Truman’s defeat of Dewey in 1948 caught the pollsters by surprise.”) Note that the context may require a shift into the past perfect. (“The pollsters had not realized [past perfect] that voter opinion had been [past perfect] changing rapidly in the days before the election.”) Unfortunately, the tense problem can get a bit more complicated. Most historians shift into the present tense when describing or commenting on a book, document, or evidence that still exists and is in front of them (or in their mind) as they write.  (“de Beauvoir published [past tense] The Second Sex in 1949. In the book she contends [present tense] that woman....”) If you’re confused, think of it this way: History is about the past, so historians write in the past tense, unless they are discussing effects of the past that still exist and thus are in the present. When in doubt, use the past tense and stay consistent.

Ill-fitted quotation.

This is a common problem, though not noted in stylebooks. When you quote someone, make sure that the quotation fits grammatically into your sentence.  Note carefully the mismatch between the start of the following sentence and the quotation that follows:  “In order to understand the Vikings, writes Marc Bloch, it is necessary, ‘To conceive of the Viking expeditions as religious warfare inspired by the ardour of an implacable pagan fanaticism—an explanation that has sometimes been at least suggested—conflicts too much with what we know of minds disposed to respect magic of every kind.’” At first, the transition into the quotation from Bloch seems fine. The infinitive (to conceive) fits. But then the reader comes to the verb (conflicts) in Bloch’s sentence, and things no longer make sense. The writer is saying, in effect, “it is necessary conflicts.” The wordy lead-in and the complex syntax of the quotation have tripped the writer and confused the reader. If you wish to use the whole sentence, rewrite as “Marc Bloch writes in Feudal Society , ‘To conceive of...’” Better yet, use your own words or only part of the quotation in your sentence. Remember that good writers quote infrequently, but when they do need to quote, they use carefully phrased lead-ins that fit the grammatical construction of the quotation.

Free-floating quotation.

Do not suddenly drop quotations into your prose. (“The spirit of the Progressive era is best understood if one remembers that the United States is ‘the only country in the world that began with perfection and aspired to progress.’”) You have probably chosen the quotation because it is finely wrought and says exactly what you want to say. Fine, but first you inconvenience the reader, who must go to the footnote to learn that the quotation comes from The Age of Reform by historian Richard Hofstadter. And then you puzzle the reader. Did Hofstadter write the line about perfection and progress, or is he quoting someone from the Progressive era? If, as you claim, you are going to help the reader to judge the “spirit of the Progressive era,” you need to clarify. Rewrite as “As historian Richard Hofstadter writes in the Age of Reform , the United States is ‘the only country in the world...’” Now the reader knows immediately that the line is Hofstadter’s.

Who’s speaking here?/your view?

Always be clear about whether you’re giving your opinion or that of the author or historical actor you are discussing. Let’s say that your essay is about Martin Luther’s social views. You write, “The German peasants who revolted in 1525 were brutes and deserved to be crushed mercilessly.” That’s what Luther thought, but do you agree?  You may know, but your reader is not a mind reader. When in doubt, err on the side of being overly clear.

Jargon/pretentious theory.

Historians value plain English. Academic jargon and pretentious theory will make your prose turgid, ridiculous, and downright irritating. Your professor will suspect that you are trying to conceal that you have little to say. Of course, historians can’t get along without some theory; even those who profess to have no theory actually do—it’s called naïve realism. And sometimes you need a technical term, be it ontological argument or ecological fallacy. When you use theory or technical terms, make sure that they are intelligible and do real intellectual lifting.  Please, no sentences like this: “By means of a neo-Althusserian, post-feminist hermeneutics, this essay will de/construct the logo/phallo/centrism imbricated in the marginalizing post-colonial gendered gaze, thereby proliferating the subjectivities that will re/present the de/stabilization of the essentializing habitus of post-Fordist capitalism.”

Informal language/slang.

You don’t need to be stuffy, but stay with formal English prose of the kind that will still be comprehensible to future generations. Columbus did not “push the envelope in the Atlantic.” Henry VIII was not “looking for his inner child when he broke with the Church.” Prime Minister Cavour of Piedmont was not “trying to play in the major leagues diplomatic wise.” Wilson did not “almost veg out” at the end of his second term. President Hindenburg did not appoint Hitler in a “senior moment.” Prime Minister Chamberlain did not tell the Czechs to “chill out” after the Munich Conference, and Gandhi was not an “awesome dude.”

Try to keep your prose fresh. Avoid cliches. When you proofread, watch out for sentences like these: “Voltaire always gave 110 percent and thought outside the box. His bottom line was that as people went forward into the future, they would, at the end of the day, step up to the plate and realize that the Jesuits were conniving perverts.” Ugh. Rewrite as “Voltaire tried to persuade people that the Jesuits were cony, step up to the plate and realize that the Jesuits were conniving perverts.” Ugh. Rewrite as “Voltaire tried to persuade people that the Jesuits were conniving perverts.”

Intensifier abuse/exaggeration.

Avoid inflating your prose with unsustainable claims of size, importance, uniqueness, certainty, or intensity. Such claims mark you as an inexperienced writer trying to impress the reader. Your statement is probably not certain ; your subject probably not unique , the biggest, the best, or the most important. Also, the adverb very will rarely strengthen your sentence. Strike it. (“President Truman was very determined to stop the spread of communism in Greece.”) Rewrite as “President Truman resolved to stop the spread of communism in Greece.”

Mixed image.

Once you have chosen an image, you must stay with language compatible with that image. In the following example, note that the chain, the boiling, and the igniting are all incompatible with the image of the cold, rolling, enlarging snowball: “A snowballing chain of events boiled over, igniting the powder keg of war in 1914.” Well chosen images can enliven your prose, but if you catch yourself mixing images a lot, you're probably trying to write beyond your ability. Pull back. Be more literal.

Clumsy transition.

If your reader feels a jolt or gets disoriented at the beginning of a new paragraph, your paper probably lacks unity. In a good paper, each paragraph is woven seamlessly into the next. If you find yourself beginning your paragraphs with phrases such as “Another aspect of this problem...,” then you are probably “stacking note cards” rather than developing a thesis.

Unnecessary relative clause.

If you don’t need to restrict the meaning of your sentence’s subject, then don’t. (“Napoleon was a man who tried to conquer Europe.”) Here the relative clause adds nothing. Rewrite as “Napoleon tried to conquer Europe.” Unnecessary relative clauses are a classic form of wordiness.

Distancing or demeaning quotation marks.

If you believe that a frequently used word or phrase distorts historical reality, don’t put it in dismissive, sneering quotation marks to make your point (“the communist ‘threat’ to the ‘free’ world during the Cold War”). Many readers find this practice arrogant, obnoxious, and precious, and they may dismiss your arguments out of hand. If you believe that the communist threat was bogus or exaggerated, or that the free world was not really free, then simply explain what you mean.

Remarks on Grammar and Syntax

Ideally, your professor will help you to improve your writing by specifying exactly what is wrong with a particular passage, but  sometimes you may find a simple awk in the margin. This all-purpose negative comment usually suggests that the sentence is clumsy because you have misused words or compounded several errors. Consider this sentence from a book review:

“However, many falsehoods lie in Goldhagen’s claims and these will be explored.”

What is your long-suffering professor to do with this sentence? The however contributes nothing; the phrase falsehoods lie is an unintended pun that distracts the reader; the comma is missing between the independent clauses; the these has no clear antecedent ( falsehoods? claims? ); the second clause is in the passive voice and contributes nothing anyway; the whole sentence is wordy and screams hasty, last-minute composition. In weary frustration, your professor scrawls awk in the margin and moves on. Buried under the twelve-word sentence lies a three-word idea: “Goldhagen often errs.” When you see awk, check for the common errors in this list. If you don’t understand what’s wrong, ask.

Unclear antecedent.

All pronouns must refer clearly to antecedents and must agree with them in number. The reader usually assumes that the antecedent is the immediately preceding noun. Do not confuse the reader by having several possible antecedents. Consider these two sentences:

“Pope Gregory VII forced Emperor Henry IV to wait three days in the snow at Canossa before granting him an audience. It was a symbolic act.”

To what does the it refer? Forcing the Emperor to wait? The waiting itself? The granting of the audience? The audience itself? The whole previous sentence? You are most likely to get into antecedent trouble when you begin a paragraph with this or it , referring vaguely back to the general import of the previous paragraph. When in doubt, take this test: Circle the pronoun and the antecedent and connect the two with a line. Then ask yourself if your reader could instantly make the same diagram without your help. If the line is long, or if the circle around the antecedent is large, encompassing huge gobs of text, then your reader probably will be confused.  Rewrite. Repetition is better than ambiguity and confusion.

Faulty parallelism.

You confuse your reader if you change the grammatical construction from one element to the next in a series. Consider this sentence:

“King Frederick the Great sought to expand Prussia, to rationalize agriculture, and that the state support education.”

The reader expects another infinitive, but instead trips over the that . Rewrite the last clause as “and to promote state-supported education.” Sentences using neither/nor frequently present parallelism problems. Note the two parts of this sentence:

“After 1870 the cavalry charge was neither an effective tactic, nor did armies use it frequently.”

The sentence jars because the neither is followed by a noun, the nor by a verb. Keep the parts parallel.

Rewrite as “After 1870 the cavalry charge was neither effective nor frequently used.”

Sentences with not only/but also are another pitfall for many students. (“Mussolini attacked not only liberalism, but he also advocated militarism.”) Here the reader is set up to expect a noun in the second clause, but stumbles over a verb. Make the parts parallel by putting the verb attacked after the not only .

Misplaced modifier/dangling element.

Do not confuse the reader with a phrase or clause that refers illogically or absurdly to other words in the sentence. (“Summarized on the back cover of the American paperback edition, the publishers claim that...”) The publishers are not summarized on the back cover. (“Upon finishing the book, many questions remain.”) Who finished the book? Questions can’t read. Avoid following an introductory participial clause with the expletives it or there . Expletives are by definition filler words; they can’t be agents. (“Having examined the origins of the Meiji Restoration in Japan, it is apparent that...”) Apparent to whom?  The expletive it didn’t do the examining. (“After going on the Long March, there was greater support for the Communists in China.”) Who went on the Long March? There didn’t go on the Long March. Always pay attention to who’s doing what in your sentences.

Run-on sentence.

Run-on sentences string together improperly joined independent clauses. Consider these three sentences:

“Galileo recanted his teaching that the earth moved privately he maintained his convictions.” “Galileo recanted his teaching that the earth moved, privately he maintained his convictions.” “Galileo recanted his teaching that the earth moved, however, privately he maintained his convictions.”

The first fuses two independent clauses with neither a comma nor a coordinating conjunction; the second uses a comma but omits the coordinating conjunction; and the third also omits the coordinating conjunction (however is not a coordinating conjunction). To solve the problem, separate the two clauses with a comma and the coordinating conjunction but. You could also divide the clauses with a semicolon or make separate sentences. Remember that there are only seven coordinating conjunctions ( and, but, or, nor, for, so, yet ).

Sentence fragment.

Write in sentences. A sentence has to have a subject and a predicate. If you string together a lot of words, you may lose control of the syntax and end up with a sentence fragment. Note that the following is not a sentence:

“While in Western Europe railroad building proceeded rapidly in the nineteenth century, and in Russia there was less progress.”

Here you have a long compound introductory clause followed by no subject and no verb, and thus you have a fragment. You may have noticed exceptions to the no-fragments rule. Skilful writers do sometimes intentionally use a fragment to achieve a certain effect. Leave the rule-breaking to the experts.

Confusion of restrictive and nonrestrictive clauses.

Consider these two versions of the same sentence:

1. “World War I, which raged from 1914-1918, killed millions of Europeans.” 2. “World War I that raged from 1914-1918 killed millions of Europeans.”

The first sentence has a nonrestrictive relative clause; the dates are included almost as parenthetical information. But something seems amiss with the second sentence. It has a restrictive relative clause that limits the subject (World War I) to the World War I fought between 1914 and 1918, thus implying that there were other wars called World War I, and that we need to distinguish among them. Both sentences are grammatically correct, but the writer of the second sentence appears foolish.  Note carefully the distinction between that (for use in restrictive clauses, with no comma) and which (for use in nonrestrictive clauses, with a comma).

Confusion about who’s doing what.

Remember—history is about what people do, so you need to be vigilant about agency. Proofread your sentences carefully, asking yourself, “Have I said exactly who is doing or thinking what, or have I inadvertently attributed an action or belief to the wrong person or group?” Unfortunately, there are many ways to go wrong here, but faulty punctuation is among the most common. Here’s a sentence about Frantz Fanon, the great critic of European imperialism. Focus on the punctuation and its effect on agency: “Instead of a hierarchy based on class, Fanon suggests the imperialists establish a hierarchy based on race.” As punctuated, the sentence says something absurd: that Fanon is advising the imperialists about the proper kind of hierarchy to establish in the colonies. Surely, the writer meant to say that, in his analysis of imperialism, Fanon distinguishes between two kinds of hierarchy. A comma after suggests fixes the immediate problem. Now look at the revised sentence. It still needs work. Better diction and syntax would sharpen it.  Fanon does not suggest (with connotations of both hinting and advocating); he states outright. What’s more, the comparison of the two kinds of hierarchy gets blurred by too many intervening words. The key point of the sentence is, in effect, “instead of A, we have B.” Clarity demands that B follow A as closely as possible, and that the two elements be grammatically parallel. But between the elements A and B, the writer inserts Fanon (a proper noun), suggests (a verb), imperialists (a noun), and establish (a verb). Try the sentence this way: “Fanon says that the imperialists establish a hierarchy based on race rather than class.” Now the agency is clear: We know what Fanon does, and we know what the imperialists do. Notice that errors and infelicities have a way of clustering. If you find one problem in a sentence, look for others.

Confusion about the objects of prepositions.

Here’s another one of those common problems that does not receive the attention it merits. Discipline your prepositional phrases; make sure you know where they end. Notice the mess in this sentence: “Hitler accused Jewish people of engaging in incest and stating that Vienna was the ‘personification of incest.’” The reader thinks that both engaging and stating are objects of the preposition of. Yet the writer intends only the first to be the object of the preposition. Hitler is accusing the Jews of engaging , but not of stating ; he is the one doing the stating . Rewrite as “Hitler accused the Jews of incest; he stated that Vienna was the ‘personification of incest.’” Note that the wordiness of the original encouraged the syntactical mess. Simplify. It can’t be said too many times: Always pay attention to who’s doing what in your sentences.

Misuse of the comparative.

There are two common problems here. The first might be called the “floating comparative.” You use the comparative, but you don’t say what you are comparing. (“Lincoln was more upset by the dissolution of the union.”) More upset than by what? More upset than who? The other problem, which is more common and takes many forms, is the unintended (and sometimes comical) comparison of unlike elements. Consider these attempts to compare President Clinton to President George H. W. Bush. Often the trouble starts with a possessive:

“President Clinton’s sexual appetite was more voracious than President Bush.”

You mean to compare appetites, but you've forgotten about your possessive, so you absurdly compare an appetite to a man. Rewrite as “more voracious than President Bush’s.” A variation of this problem is the unintended comparison resulting from the omission of a verb:

“President Clinton liked women more than President Bush.”

Re-write as “more than did President Bush.”

A misplaced modifier may also cause comparison trouble: “Unlike the Bush administration, sexual scandal nearly destroyed the Clinton administration.” Rewrite as  “Unlike the Bush administration, the Clinton administration was nearly destroyed by sexual scandal.” Here the passive voice is better than the misplaced modifier, but you could rewrite as “The Bush administration had been free of sexual scandal, which nearly destroyed the Clinton administration.”

Misuse of apostrophe.

Get control of your apostrophes. Use the apostrophe to form singular or plural possessives (Washington’s soldiers; the colonies’ soldiers) or to form contractions (don’t; it’s). Do not use the apostrophe to form plurals. (“The communists [not communists’] defeated the nationalists [not nationalists’] in China.”)

Comma after although.

This is a new error, probably a carryover from the common conversational habit of pausing dramatically after although . ( “Although , coffee consumption rose in eighteenth-century Europe, tea remained far more popular.”) Delete the comma after although . Remember that although is not a synonym for the word however , so you cannot solve the problem in the sentence by putting a period after Europe . A clause beginning with although cannot stand alone as a sentence.

Comma between subject and verb.

This is a strange new error. (“Hitler and Stalin, agreed to a pact in August 1939.”) Delete the comma after Stalin. Finally, two hints: If your word-processing program underlines something and suggests changes, be careful. When it comes to grammar and syntax, your computer is a moron. Not only does it fail to recognize some gross errors, it also falsely identifies some correct passages as errors. Do not cede control of your writing decisions to your computer. Make the suggested changes only if you are positive that they are correct. If you are having trouble with your writing, try simplifying. Write short sentences and read them aloud to test for clarity. Start with the subject and follow it quickly with an active verb. Limit the number of relative clauses, participial phrases, adjectives, adverbs, and prepositional phrases. You will win no prizes for eloquence, but at least you will be clear. Add complexity only when you have learned to handle it.

An historical/an historian.

The consonant “H” is not silent in historical and historian , so the proper form of the indefinite article is “A.”

Avoid the common solecism of using feel as a synonym for think, believe, say, state, assert, contend, argue, conclude, or write. (“Marx felt that the bourgeoisie exploited the proletariat.” “Emmeline Pankhurst felt that British women should be able to vote.”) The use of feel in these sentences demeans the agents by suggesting undisciplined sentiment rather than carefully formulated conviction. Concentrate on what your historical actors said and did; leave their feelings to speculative chapters of their biographies. As for your own feelings, keep them out of your papers. (“I feel that Lincoln should have freed the slaves earlier.”) Your professor will be delighted that the material engages both your head and your heart, but your feelings cannot be graded. If you believe that Lincoln should have acted earlier, then explain, giving cogent historical reasons.

The fact that.

This is a clumsy, unnecessary construction. ( “The fact that Nixon resigned in disgrace damaged the Republican Party.”) Re-word as “Nixon resigned in disgrace, damaging the Republican Party.” Never use the hideous phrase due to the fact that.

In terms of.

This phrase is filler. Get rid of it. (“Bismarck was a success in terms of uniting Germany.) Rewrite as “Bismarck successfully united Germany.”

Attend carefully to the placement of this limiting word. Note, for example, these three sentences:

“The government only interred Japanese Americans during World War II.” “The government interred only Japanese Americans during World War II.” “The government interred Japanese Americans only during World War II.”

The first limits the action to interring (as opposed to, say, killing); the second limits the group interred (i.e., not Italian Americans); the third limits the time of interring (i.e., not during other wars).

Thus and therefore.

More than likely, you have not earned these words and are implying that you have said more than you actually have. Use them sparingly, only when you are concluding a substantial argument with a significant conclusion.

Misuse of instead.

Instead is an adverb, not a conjunction. Consider this sentence: “Charles Beard argued that the framers of the constitution were not idealists, instead they promoted their economic interests.” Revise as “The framers of the constitution, Charles Beard argued, did not uphold ideals; instead , they promoted their economic interests.” Now the instead appears properly as an adverb. (Note also that the two clauses are now parallel—both contain transitive verbs.)

Essentially and basically.

These are usually either filler words (the written equivalent of “uh” or “um”) or weasel words that merely call attention to your vagueness, lack of conviction, or lazy unwillingness to qualify precisely. (“ Essentially , Churchill believed that Nazi Germany presented a grave danger to Britain.”) Delete essentially and basically unless you are writing about essences or bases.

Both share or both agree.

These are redundant. If two people share or agree , they are both involved by definition. (“Stalin and Mao both agreed that capitalism belonged in the dustbin of history.”) Delete both .

This word means one of a kind. It is an absolute. Something cannot be very unique, more unique, or somewhat unique.

Incredible.

In casual conversation incredible often means extraordinary, astonishing, or impressive (“Yesterday’s storm was incredible.”). To avoid confusion in historical prose, you should stick with the original meaning of incredible : not believable. If you write that “William Jennings Bryan gave incredible speeches,” you’re saying that you don’t believe his speeches, or that his audiences didn’t believe them at the time—in other words, that he appeared to be lying or mistaken. You probably mean that he gave great speeches. If you write that “It’s incredible that Japan attacked Pearl Harbor,” you’re calling into question the very existence of a historical event. You probably mean that the Japanese attack was unwise or reckless. English is rich with adjectives. Finding the best one forces you to think about what you really mean.

As a synonym for subject matter, bone of contention, reservation, or almost anything else vaguely associated with what you are discussing, the word issue has lost its meaning through overuse. (“There were many issues involved with Truman’s decision to use the atomic bomb, and some historians have issues with his decision.”) Stop talking about issues and get to the point.

Beware of the word literally . It’s commonly misused, and you almost never need it in historical prose. Literally means actually, factually, exactly, directly, without metaphor. The careful writer would never say, “Roosevelt literally swamped Landon in the election of 1936.” One imagines Roosevelt (in his wheelchair no less!) dumping the hapless Landon off a pier in the Everglades on election night. The swamping was figurative, strictly a figure of speech. The adverb literally may also cause you trouble by falsely generalizing the coverage of your verb. “London was literally destroyed by the blitz.” This suggests that the whole city was destroyed, when, in fact, only parts were destroyed. Rewrite as “The blitz destroyed parts of London.” Now you’ve qualified properly (and gotten rid of the passive).

When you’re tempted to use this word, resist. Like issue , involve tells the reader too little. (“Erasmus was involved in the Renaissance.”) This statement could mean virtually anything. Delete it and discuss specifically what Erasmus said or did.

This is a fine old word with many precise meanings, but as an overused synonym for feature, side, or part, it is usually a sign of insipid prose (“Another aspect of the issues in this area is the fact that...”). Just get directly to the point.

Most good writers frown on the use of this word as a verb.(“Eisenhower’s military background impacted his foreign policy.”) Affected, influenced, or shaped would be better here. Impacted suggests painfully blocked wisdom teeth or feces. Had an impact is better than impacted , but is still awkward because impact implies a collision.

Here is another beloved but vapid word. (“Many factors led to the Reformation.”) Such a sentence usually opens a vague, boring, weaseling paragraph. If you believe (quite reasonably) that the Reformation had many causes, then start evaluating them.

Meaningful.

Overuse has drained the meaning from meaningful . (“Peter the Great took meaningful steps to westernize Russia.”) Just get to the point.

Interesting.

The adjective interesting is vague, overused, and does not earn its keep. (“Burckhardt had an interesting perspective on the Renaissance.”) This sentence is filler. Delete it and explain and analyze his perspective.

The events that transpired.

Your professor will gag on this one. Events take place or happen by definition, so the relative clause is redundant. Furthermore, most good writers do not accept transpire as a synonym for happen. Again, follow the old rule of thumb: Get right to the point, say what happened, and explain its significance. You don’t need any filler about events and transpiring .

The reason is because.

This phrase is awkward and redundant. Replace it with the reason is, or better still, simply delete it and get right to your reason.

For all intensive purposes.

The phrase is for all intents and purposes , and few good writers use it in formal prose anyway.

Take for granite.

This is an illiteracy. The phrase is “ take for granted .”

Should of/could of.

You mean should have or could have .

Center around.

Good writers frown on this phrase because it’s illogical and jarring. Use center on or center in. Attention to a small detail like this indicates that you’re thinking carefully about what you’re saying, so when the big problems confront you, you’ll be disciplined and ready.

Begs the question.

Recently, many people have started to use this phrase to mean raises, invites, or brings up the question. (“Stalin’s purges beg the question of whether he was paranoid.”) Actually, begging the question is the common logical fallacy of assuming your conclusion as part of your argument. (“In the late nineteenth century, many Americans moved to the cities because of urbanization.”) Note that the use of abstractions (e.g., urbanization) encourages begging the question . Understanding this fallacy is central to your education. The formal Latin term, petitio principii, is too fancy to catch on, so you need to preserve the simple English phrase. If something raises a question, just say so.

Historic/historical confusion.

Everything in the past or relating to the past is historical. Resist the media-driven hype that elevates the ordinary to the historic . (“A three-alarm fire last night destroyed the historic site of the first Portuguese-owned dry cleaners in Cleveland.”) Reserve the word historic for the genuinely important events, persons, or objects of the past. The Norman invasion of England in 1066 was indeed historic . Historically , historians have gathered annually for a historical convention; so far, none of the conventions has been historic .

Affect/effect confusion.

The chances are that the verb you want is affect , which means to have an influence on (“The Iranian hostage crisis affected [not effected] the presidential election of 1980”). Effect as a verb means to bring about or cause to exist ( effect change). Effect as a noun means result or consequence (“The effect of the Iranian hostage crisis on the election...”).

While/whereas confusion.

If you’re stressing contrast, the word you want is whereas . While stresses simultaneity. “Hobbes had a dismal view of human nature, whereas [not while] Rousseau believed that man had a natural sense of pity.”

It’s/its confusion.

This is the classic bonehead error. Note that the spell checker won’t help you. And remember— its’ is not a word at all.

Reign/rein confusion.

A queen reigns during her reign. You rein in a horse with reins.

Their/there/they’re confusion.

You do know the difference. Pay attention.

Everyday/every day confusion.

As an adjective, everyday (one word) means routine. If you wish to say that something happened on every successive day, then you need two words, the adjective every and the noun day . Note the difference in these two sentences: “Kant was famous for going on the same constitutional at the same time every day . For Kant, exercise and thinking were everyday activities.”

Refer/allude confusion.

To allude means to refer to indirectly or to hint at. The word you probably want in historical prose is refer , which means to mention or call direct attention to. “In the first sentence of the ‘Gettysburg Address’ Lincoln refers [not alludes ] to the fathers of the nation [he mentions them directly]; he alludes to the ‘Declaration of Independence’ [the document of four score and seven years earlier that comes to the reader’s mind, but that Lincoln doesn’t directly mention].”

Novel/book confusion.

Novel is not a synonym for book. A novel is a long work of fiction in prose. A historical monograph is not a novel —unless the historian is making everything up.

Than/then confusion.

This is an appalling new error. If you are making a comparison, you use the conjunction than . (“President Kennedy’s health was worse than [not then ] the public realized.”)

Lead/led confusion.

The past tense of the verb to lead is led (not lead ). “Sherman led [not lead ] a march to the sea.”

Lose/loose confusion.

The opposite of win is lose , not loose . “Supporters of the Equal Rights Amendment suspected that they would lose [not loose ] the battle to amend the constitution.”

However/but confusion.

However may not substitute for the coordinating conjunction but. (“Mussolini began his career as a socialist, but [not however ] he later abandoned socialism for fascism.”) The word however has many proper uses; however , [note the semicolon and comma] graceful writers use it sparingly.

Cite/site/sight confusion.

You cited a source for your paper; ancient Britons sited Stonehenge on a plain; Columbus’s lookout sighted land.

Conscience/conscious confusion.

When you wake up in the morning you are conscious , though your conscience may bother you if you’ve neglected to write your history paper.

Tenet/tenant confusion.

Your religion, ideology, or worldview all have tenets —propositions you hold or believe in. Tenants rent from landlords.

All are not/not all are confusion.

If you write, “ All the colonists did not want to break with Britain in 1776,” the chances are you really mean, “ Not all the colonists wanted to break with Britain in 1776.” The first sentence is a clumsy way of saying that no colonists wanted to break with Britain (and is clearly false). The second sentence says that some colonists did not want to break with Britain (and is clearly true, though you should go on to be more precise).

Nineteenth-century/nineteenth century confusion.

Historians talk a lot about centuries, so you need to know when to hyphenate them. Follow the standard rule: If you combine two words to form a compound adjective, use a hyphen, unless the first word ends in ly. (“ Nineteenth-century [hyphenated] steamships cut the travel time across the Atlantic.”) Leave out the hyphen if you’re just using the ordinal number to modify the noun century. (“In the nineteenth century [no hyphen] steamships cut the travel time across the Atlantic.”) By the way, while you have centuries in mind, don’t forget that the nineteenth century is the 1800s, not the 1900s. The same rule for hyphenating applies to middle-class and middle class —a group that historians like to talk about.

Bourgeois/bourgeoisie confusion.

Bourgeois is usually an adjective, meaning characteristic of the middle class and its values or habits. Occasionally, bourgeois is a noun, meaning a single member of the middle class. Bourgeoisie is a noun, meaning the middle class collectively. (“Marx believed that the bourgeoisie oppressed the proletariat; he argued that bourgeois values like freedom and individualism were hypocritical.”)

Your professor may ask you to analyze a primary document. Here are some questions you might ask of your document. You will note a common theme—read critically with sensitivity to the context. This list is not a suggested outline for a paper; the wording of the assignment and the nature of the document itself should determine your organization and which of the questions are most relevant. Of course, you can ask these same questions of any document you encounter in your research.

• What exactly is the document (e.g., diary, king’s decree, opera score, bureaucratic memorandum, parliamentary minutes, newspaper article, peace treaty)?
• Are you dealing with the original or with a copy? If it is a copy, how remote is it from the original (e.g., photocopy of the original, reformatted version in a book, translation)? How might deviations from the original affect your interpretation?
• What is the date of the document?
• Is there any reason to believe that the document is not genuine or not exactly what it appears to be?
• Who is the author, and what stake does the author have in the matters discussed? If the document is unsigned, what can you infer about the author or authors?
• What sort of biases or blind spots might the author have? For example, is an educated bureaucrat writing with third-hand knowledge of rural hunger riots?
• Where, why, and under what circumstances did the author write the document?
• How might the circumstances (e.g., fear of censorship, the desire to curry favor or evade blame) have influenced the content, style, or tone of the document?
• Has the document been published? If so, did the author intend it to be published?
• If the document was not published, how has it been preserved? In a public archive? In a private collection? Can you learn anything from the way it has been preserved? For example, has it been treated as important or as a minor scrap of paper?
• Does the document have a boilerplate format or style, suggesting that it is a routine sample of a standardized genre, or does it appear out of the ordinary, even unique?
• Who is the intended audience for the document?
• What exactly does the document say? Does it imply something different?
• If the document represents more than one viewpoint, have you carefully distinguished between the author’s viewpoint and those viewpoints the author presents only to criticize or refute?
• In what ways are you, the historian, reading the document differently than its intended audience would have read it (assuming that future historians were not the intended audience)?
• What does the document leave out that you might have expected it to discuss?
• What does the document assume that the reader already knows about the subject (e.g., personal conflicts among the Bolsheviks in 1910, the details of tax farming in eighteenth-century Normandy, secret negotiations to end the Vietnam war)?
• What additional information might help you better interpret the document?
• Do you know (or are you able to infer) the effects or influences, if any, of the document?
• What does the document tell you about the period you are studying?
• If your document is part of an edited collection, why do you suppose the editor chose it? How might the editing have changed the way you perceive the document? For example, have parts been omitted? Has it been translated? (If so, when, by whom, and in what style?) Has the editor placed the document in a suggestive context among other documents, or in some other way led you to a particular interpretation?

Your professor may ask you to write a book review, probably of a scholarly historical monograph. Here are some questions you might ask of the book. Remember that a good review is critical, but critical does not necessarily mean negative. This list is not meant to be exhaustive, nor is it a suggested outline. Of course, you can ask these same questions of any secondary historical work, even if you’re not writing a review.

• Who is the author, and what are his or her qualifications? Has the author written other books on the subject?
• When was the book written, and how does it fit into the scholarly debate on the subject? For example, is Smith writing to refute that idiot Jones; to qualify the work of the competent but unimaginative Johnson; or to add humbly to the evidence presented by the redoubtable Brown’s classic study? Be sure not to confuse the author’s argument with those arguments he or she presents only to criticize later.
• What is the book’s basic argument? (Getting this right is the foundation of your review.)
• What is the author’s method? For example, does the author rely strictly on narrative and anecdotes, or is the book analytical in some way?
• What kinds of evidence does the author use? For example, what is the balance of primary and secondary sources? Has the author done archival work? Is the source base substantial, or does it look thin? Is the author up-to-date in the scholarly literature?
• How skillfully and imaginatively has the author used the evidence?
• Does the author actually use all of the material in the bibliography, or is some of it there for display?
• What sorts of explicit or implicit ideological or methodological assumptions does the author bring to the study? For example, does he or she profess bland objectivity? A Whig view of history? Marxism?
• How persuasive is the author’s argument?
• Is the argument new, or is it old wine in new bottles?
• Is the argument important, with wide-ranging implications, or is it narrow and trivial?
• Is the book well organized and skillfully written?
• What is your overall critical assessment of the book?
• What is the general significance, if any, of the book? (Make sure that you are judging the book that the author actually wrote, not complaining that the author should have written a different book.)

Here are some tips for those long, intimidating term papers or senior theses:

• Start early. If you don’t, none of these tips will matter. Big trouble is looming if you don’t have a specific topic by the end of the first week. You should be delving into the sources during the second week.
• Keep in mind all of the dos and don’ts in this booklet.
• Work closely with your professor to assure that your topic is neither too broad nor too narrow.
• Set up a schedule with your professor and check his or her policy about reading rough drafts or parts of rough drafts. Then keep your professor informed about what you’re doing. You don’t want any unpleasant surprises. You certainly don’t want to hear, “I haven’t seen you for weeks, and it sounds like you’re way off base. How can you possibly get this done with only two weeks left in the semester?”
• Make an appointment with Kristin Strohmeyer, the history reference librarian in Burke Library. She will help you to find and use the appropriate catalogs and indexes.
• Use your imagination in compiling a bibliography. Think of all of the possible key words and subjects that may lead you to material. If you find something really good, check the subjects under which it is cataloged. Comb the notes and bibliographies of books and articles you’ve already found.
• Much of what you need will not be in our library, so get to know the friendly folks in the Interlibrary Loan department.
• Start early. This can’t be said too often.
• Use as many primary sources as you can.
• Jot down your ideas as they come to you. You may not remember them later.
• Take careful notes on your reading. Label your notes completely and precisely. Distinguish meticulously and systematically between what you are directly quoting and what you are summarizing in your own words. Unintended plagiarism is still plagiarism. Stay clean as a hound’s tooth. Write down not just the page of the quotation or idea, but also the whole run of pages where the matter is discussed. Reread all of your notes periodically to make sure that you still understand them and are compiling what you will need to write your paper. Err on the side of writing down more than you think you will need. Copious, precise notes won’t come back to haunt you; skimpy, vague notes will. Just accept that there is something anal about good note-taking.
• If you take notes directly into your computer, they will be easy to index and pull up, but there are a couple of downsides. You will not be able to see all of them simultaneously, as you can note cards laid out on a big table. What you gain in ease of access may come at the price of losing the big picture. Also, if your notes are in your computer, you may be tempted to save time and thought by pasting many of them directly into your paper. Note cards encourage you to rethink and to rework your ideas into a unified whole.
• Don’t start to write until you have a good outline.
• Make sure that your paper has a thesis. (See the entry State a clear thesis. )
• Check and recheck your facts.
• Footnote properly. (See the entry Cite sources carefully .)
• Save plenty of time to proofread.
• Start early.

Top Ten Signs that you may be Writing a Weak History Paper

10. You’re overjoyed to find that you can fill the required pages by widening all margins.

9. You haven’t mentioned any facts or cited any sources for several paragraphs.

8. You find yourself using the phrase “throughout history mankind has...”

7. You just pasted in another 100 words of quotations.

6. You haven’t a clue about the content of your next paragraph.

5. You’re constantly clicking on The Britannica, Webster’s, and Bartlett’s.

4. Your writing tutor sneaks another look at her watch as she reminds you for the third time to clarify your thesis.

3. Your main historical actors are this, it, they, the people, and society, and they are all involved with factors, aspects, impacts, and issues.

2. You just realize that you don’t understand the assignment, but it’s 3:00 A.M, the paper is due at 9:00, and you don’t dare call your professor.

1. You’re relieved that the paper counts for only 20 percent of the course grade.

Final Advice

You guessed it — start early.

Studying History at Hamilton

Students will learn to use interdisciplinary methods from the humanities and social sciences to probe the sources of the past for answers to present questions. They will learn to draw comparisons and connections among diverse societies across a range of historical eras. They will further learn to convey their findings through writing that is clearly structured, precise, and persuasive.

Tutor Appointments

Peer tutor and consultant appointments are managed through TracCloud (login required). Find resources and more information about the ALEX centers using the following links.

Office / Department Name

Nesbitt-Johnston Writing Center

Contact Name

Jennifer Ambrose

Writing Center Director

Help us provide an accessible education, offer innovative resources and programs, and foster intellectual exploration.

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Steps for Writing a History Paper

Writing a history paper is a process.  Successful papers are not completed in a single moment of genius or inspiration, but are developed over a series of steps.  When you first read a paper prompt, you might feel overwhelmed or intimidated.  If you think of writing as a process and break it down into smaller steps, you will find that paper-writing is manageable, less daunting, and even enjoyable.  Writing a history paper is your opportunity to do the real work of historians, to roll up your sleeves and dig deep into the past.

What is a History paper?

History papers are driven by arguments.  In a history class, even if you are not writing a paper based on outside research, you are still writing a paper that requires some form of argument.  For example, suppose your professor has asked you to write a paper discussing the differences between colonial New England and colonial Virginia.  It might seem like this paper is straightforward and does not require an argument, that it is simply a matter of finding the “right answer.”  However, even here you need to construct a paper guided by a larger argument.  You might argue that the main differences between colonial New England and Virginia were grounded in contrasting visions of colonization.  Or you might argue that the differences resulted from accidents of geography or from extant alliances between regional Indian groups.  Or you might make an argument that draws on all of these factors.  Regardless, when you make these types of assertions, you are making an argument that requires historical evidence.  Any history paper you write will be driven by an argument demanding evidence from sources.

History writing assignments can vary widely–and you should always follow your professor’s specific instructions–but the following steps are designed to help no matter what kind of history paper you are writing.  Remember that the staff of the History Writing Center is here to assist you at any stage of the writing process.

• Sometimes professors distribute prompts with several sub-questions surrounding the main question they want you to write about.  The sub-questions are designed to help you think about the topic.  They offer ideas you might consider, but they are not, usually, the key question or questions you need to answer in your paper.  Make sure you distinguish the key questions from the sub-questions.  Otherwise, your paper may sound like a laundry list of short-answer essays rather than a cohesive argument. A helpful way to hone in on the key question is to look for action verbs, such as “analyze” or “investigate” or “formulate.”  Find such words in the paper prompt and circle them.  Then, carefully consider what you are being asked to do.  Write out the key question at the top of your draft and return to it often, using it to guide you in the writing process.  Also, be sure that you are responding to every part of the prompt.  Prompts will often have several questions you need to address in your paper.  If you do not cover all aspects, then you are not responding fully to the assignment.  For more information, visit our section, “Understanding Paper Prompts.”
• Before you even start researching or drafting, take a few minutes to consider what you already know about the topic.  Make a list of ideas or draw a cluster diagram, using circles and arrows to connect ideas–whatever method works for you.  At this point in the process, it is helpful to write down all of your ideas without stopping to judge or analyze each one in depth.  You want to think big and bring in everything you know or suspect about the topic.  After you have finished, read over what you have created.  Look for patterns or trends or questions that keep coming up.  Based on what you have brainstormed, what do you still need to learn about the topic?  Do you have a tentative argument or response to the paper prompt?  Use this information to guide you as you start your research and develop a thesis.
• Depending on the paper prompt, you may be required to do outside research or you may be using only the readings you have done in class.  Either way, start by rereading the relevant materials from class.  Find the parts from the textbook, from the primary source readings, and from your notes that relate to the prompt. If you need to do outside research, the UCLA library system offers plenty of resources.  You can begin by plugging key words into the online library catalog.  This process will likely involve some trial and error.  You will want to use search terms that are specific enough to address your topic without being so narrow that you get no results.  If your keywords are too general, you may receive thousands of results and feel overwhelmed.  To help you narrow your search, go back to the key questions in the essay prompt that you wrote down in Step 1.  Think about which terms would help you respond to the prompt.  Also, look at the language your professor used in the prompt.  You might be able to use some of those same words as search terms. Notice that the library website has different databases you can search depending on what type of material you need (such as scholarly articles, newspapers, books) and what subject and time period you are researching (such as eighteenth-century England or ancient Rome).  Searching the database most relevant to your topic will yield the best results.  Visit the library’s History Research Guide for tips on the research process and on using library resources.  You can also schedule an appointment with a librarian to talk specifically about your research project.  Or, make an appointment with staff at the History Writing Center for research help.  Visit our section about using electronic resources as well.
• By this point, you know what the prompt is asking, you have brainstormed possible responses, and you have done some research.  Now you need to step back, look at the material you have, and develop your argument.  Based on the reading and research you have done, how might you answer the question(s) in the prompt?  What arguments do your sources allow you to make?  Draft a thesis statement in which you clearly and succinctly make an argument that addresses the prompt. If you find writing a thesis daunting, remember that whatever you draft now is not set in stone.  Your thesis will change.  As you do more research, reread your sources, and write your paper, you will learn more about the topic and your argument.  For now, produce a “working thesis,” meaning, a thesis that represents your thinking up to this point.  Remember it will almost certainly change as you move through the writing process.  For more information, visit our section about thesis statements.  Once you have a thesis, you may find that you need to do more research targeted to your specific argument.  Revisit some of the tips from Step 3.
• Now that you have a working thesis, look back over your sources and identify which ones are most critical to you–the ones you will be grappling with most directly in order to make your argument.  Then, annotate them.  Annotating sources means writing a paragraph that summarizes the main idea of the source as well as shows how you will use the source in your paper.  Think about what the source does for you.  Does it provide evidence in support of your argument?  Does it offer a counterpoint that you can then refute, based on your research?  Does it provide critical historical background that you need in order to make a point?  For more information about annotating sources, visit our section on annotated bibliographies. While it might seem like this step creates more work for you by having to do more writing, it in fact serves two critical purposes: it helps you refine your working thesis by distilling exactly what your sources are saying, and it helps smooth your writing process.  Having dissected your sources and articulated your ideas about them, you can more easily draw upon them when constructing your paper.  Even if you do not have to do outside research and are limited to working with the readings you have done in class, annotating sources is still very useful.  Write down exactly how a particular section in the textbook or in a primary source reader will contribute to your paper.
• An outline is helpful in giving you a sense of the overall structure of your paper and how best to organize your ideas.  You need to decide how to arrange your argument in a way that will make the most sense to your reader.  Perhaps you decide that your argument is most clear when presented chronologically, or perhaps you find that it works best with a thematic approach.  There is no one right way to organize a history paper; it depends entirely on the prompt, on your sources, and on what you think would be most clear to someone reading it. An effective outline includes the following components: the research question from the prompt (that you wrote down in Step 1), your working thesis, the main idea of each body paragraph, and the evidence (from both primary and secondary sources) you will use to support each body paragraph.  Be as detailed as you can when putting together your outline.

If you have trouble getting started or are feeling overwhelmed, try free writing.  Free writing is a low-stakes writing exercise to help you get past the blank page.  Set a timer for five or ten minutes and write down everything you know about your paper: your argument, your sources, counterarguments, everything.  Do not edit or judge what you are writing as you write; just keep writing until the timer goes off.  You may be surprised to find out how much you knew about your topic.  Of course, this writing will not be polished, so do not be tempted to leave it as it is.  Remember that this draft is your first one, and you will be revising it.

A particularly helpful exercise for global-level revision is to make a reverse outline, which will help you look at your paper as a whole and strengthen the way you have organized and substantiated your argument.  Print out your draft and number each of the paragraphs.  Then, on a separate piece of paper, write down each paragraph number and, next to it, summarize in a phrase or a sentence the main idea of that paragraph.  As you produce this list, notice if any paragraphs attempt to make more than one point: mark those for revision.  Once you have compiled the list, read it over carefully.  Study the order in which you have sequenced your ideas.  Notice if there are ideas that seem out of order or repetitive.  Look for any gaps in your logic.  Does the argument flow and make sense?

When revising at the local level, check that you are using strong topic sentences and transitions, that you have adequately integrated and analyzed quotations, and that your paper is free from grammar and spelling errors that might distract the reader or even impede your ability to communicate your point.  One helpful exercise for revising on the local level is to read your paper out loud.  Hearing your paper will help you catch grammatical errors and awkward sentences.

Here is a checklist of questions to ask yourself while revising on both the global and local levels:

– Does my thesis clearly state my argument and its significance?

– Does the main argument in each body paragraph support my thesis?

– Do I have enough evidence within each body paragraph to make my point?

– Have I properly introduced, analyzed, and cited every quotation I use?

– Do my topic sentences effectively introduce the main point of each paragraph?

– Do I have transitions between paragraphs?

– Is my paper free of grammar and spelling errors?

• Congratulate yourself. You have written a history paper!

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How to Write a Conclusion For a History Essay Step-by-Step

A historical essay is a short piece of writing that answers a question or addresses a topic.  It shows a student’s historical knowledge and ability to express themselves. The conclusion is a final summary that explains why the topic is significant. A well-written conclusion ends a historical essay on a strong note. It often is what the reader remembers the most.  

What Is A History Essay?

An essay is a short piece of writing that answers a question (“Who are the funniest presidents ”) discusses a subject (“What is Japanese feudalism ”), or addresses a topic (“ Causes and Effects of the Industrial Revolution ”).  A historical essay specifically addresses historical matters.

These essays are used to judge a student’s progress in understanding history. They also are used to teach and analyze a student’s ability to write and express their knowledge.  A person can know their stuff and still have problems expressing their knowledge.  

Skillful communication is an essential tool.  When you write your conclusion to a historical essay remember that both the information and how you express it are both very important.  

Final Chance To Impress 

The conclusion of a historical essay is the final paragraph.  

This is important.  It is the final thing that the reader reads.  It provides a final impression that can be the thing that is remembered the most.  It is one last chance to impress.

Conclusion Is A Summary 

The conclusion is a summary of your argument or topic.  This is an example of the importance of crisp writing.  The summary provides the reader with a final brief chance (do not ramble!) to know what you are trying to say.  Try not to be boring.  Do not write in the first person (“I”).

The summary does two basic things.  If your historical essay has a specific thesis, a question that you have to answer, you summarize your answer.  And, you summarize the main points of your essay.  In both cases, you do not just repeat what you said before.  

Conclusion Says Why It All Matters 

The conclusion should not provide new information to make your case.  That is what the body of the essay is for.  The conclusion does say why your topic matters.  

It provides the historical implications or significance of your topic.  It offers a final chance for the reader to think about the subject of your historical essay.  End on a strong note!  

Step-By-Step Guide To Writing A Conclusion 

Step 1:  restate your thesis statement.

A “thesis” is a fancy way of saying what you are trying to convince the reader is true.  It is your argument.  For instance, you might have to argue that Catherine the Great truly was impressive. You would start a conclusion with a one-sentence summary of your basic viewpoint.

For these reasons, Catherine the Great was an impressive monarch given the restraints she had to live under.  

If the historical essay does not answer a specific question, the opening statement can summarize the subject of the essay itself:

Donata Badoer , a Venetian noblewoman, married Marco Polo in 1300.  

The restatement sentence does not provide an explanation.  It simply summarizes your basic conclusion.  Note that the thesis sentence might have a qualifier, something that must be true for the argument to work.  Catherine was great “given the restraints” of the times.  

The restatement sentence also can include various words that signal to the reader that the essay is coming to a close. These “summary words” include: in summary, as a result, on the whole, for these reasons, this proves, overall, therefore, this study reveals, and the evidence shows.  

The appropriate words tend to be a matter of personal taste and judgment. They sometimes can be left out (“for these reasons” is a bit redundant) but are popular flourishes.  

Step 2: Restate Your Key Points 

This part of the conclusion summarizes the key points of your historical essay.  

Remember, you are not supposed to be introducing anything new. This is also not a long explanation of the topic.  You already did that.  

The restatement can be as short as one sentence.  It should not be much longer than two to three sentences.  This is a conclusion paragraph, not a separate chapter.

Catherine the Great rose from humble beginnings to lead a great empire, providing many benefits such as supporting women’s education, improving the country’s image, and promoting vaccination.  

Note that you are summarizing your main points without being vague (not just “many benefits” or “people say” but specific examples).  The reader has a crisp summary of your argument.

Step 3: Final Statement and Thoughts 

The conclusion ends with a statement on why this all matters.  

The reader learns how the topic fits into a wider historical context .  How did the topic affect the future, including the current day? Is there an unanswered question or something that can be a helpful subject of research?  The reader is left thinking and intrigued.  

For instance, a historical essay on new weapons in World War I can end thusly:

Those who fought in World I did manage to retain their humanity but the new weapons foreshadowed even more deadly battles and weapons in the future.

Again, the conclusion is a brief summary.  This final thought should be a sentence or two long.  

This section especially provides you some room to provide a bit of a personal touch.  A quotation or suggestion for further research can be added.  The reader is left wanting to learn more.  

Conclusion About Conclusions 

The conclusion of a historical essay ties everything together.  It reminds the reader what your argument is and why it matters.  A well-written conclusion is not just a cherry on top of the sundae.  It leaves the reader with a content feeling that they did not waste their time reading your essay.  They won’t be confused or bored.  They will be left content and intrigued for more.

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How to Write a Conclusion for Research Papers (with Examples)

The conclusion of a research paper is a crucial section that plays a significant role in the overall impact and effectiveness of your research paper. However, this is also the section that typically receives less attention compared to the introduction and the body of the paper. The conclusion serves to provide a concise summary of the key findings, their significance, their implications, and a sense of closure to the study. Discussing how can the findings be applied in real-world scenarios or inform policy, practice, or decision-making is especially valuable to practitioners and policymakers. The research paper conclusion also provides researchers with clear insights and valuable information for their own work, which they can then build on and contribute to the advancement of knowledge in the field.

The research paper conclusion should explain the significance of your findings within the broader context of your field. It restates how your results contribute to the existing body of knowledge and whether they confirm or challenge existing theories or hypotheses. Also, by identifying unanswered questions or areas requiring further investigation, your awareness of the broader research landscape can be demonstrated.

Remember to tailor the research paper conclusion to the specific needs and interests of your intended audience, which may include researchers, practitioners, policymakers, or a combination of these.

Table of Contents

What is a conclusion in a research paper, summarizing conclusion, editorial conclusion, externalizing conclusion, importance of a good research paper conclusion, how to write a conclusion for your research paper, research paper conclusion examples.

• How to write a research paper conclusion with Paperpal? 

Frequently Asked Questions

A conclusion in a research paper is the final section where you summarize and wrap up your research, presenting the key findings and insights derived from your study. The research paper conclusion is not the place to introduce new information or data that was not discussed in the main body of the paper. When working on how to conclude a research paper, remember to stick to summarizing and interpreting existing content. The research paper conclusion serves the following purposes: 1

• Warn readers of the possible consequences of not attending to the problem.
• Recommend specific course(s) of action.
• Restate key ideas to drive home the ultimate point of your research paper.
• Provide a “take-home” message that you want the readers to remember about your study.

Types of conclusions for research papers

In research papers, the conclusion provides closure to the reader. The type of research paper conclusion you choose depends on the nature of your study, your goals, and your target audience. I provide you with three common types of conclusions:

A summarizing conclusion is the most common type of conclusion in research papers. It involves summarizing the main points, reiterating the research question, and restating the significance of the findings. This common type of research paper conclusion is used across different disciplines.

An editorial conclusion is less common but can be used in research papers that are focused on proposing or advocating for a particular viewpoint or policy. It involves presenting a strong editorial or opinion based on the research findings and offering recommendations or calls to action.

An externalizing conclusion is a type of conclusion that extends the research beyond the scope of the paper by suggesting potential future research directions or discussing the broader implications of the findings. This type of conclusion is often used in more theoretical or exploratory research papers.

Align your conclusion’s tone with the rest of your research paper. Start Writing with Paperpal Now!  

The conclusion in a research paper serves several important purposes:

• Offers Implications and Recommendations : Your research paper conclusion is an excellent place to discuss the broader implications of your research and suggest potential areas for further study. It’s also an opportunity to offer practical recommendations based on your findings.
• Provides Closure : A good research paper conclusion provides a sense of closure to your paper. It should leave the reader with a feeling that they have reached the end of a well-structured and thought-provoking research project.
• Leaves a Lasting Impression : Writing a well-crafted research paper conclusion leaves a lasting impression on your readers. It’s your final opportunity to leave them with a new idea, a call to action, or a memorable quote.

Writing a strong conclusion for your research paper is essential to leave a lasting impression on your readers. Here’s a step-by-step process to help you create and know what to put in the conclusion of a research paper: 2

• Research Statement : Begin your research paper conclusion by restating your research statement. This reminds the reader of the main point you’ve been trying to prove throughout your paper. Keep it concise and clear.
• Key Points : Summarize the main arguments and key points you’ve made in your paper. Avoid introducing new information in the research paper conclusion. Instead, provide a concise overview of what you’ve discussed in the body of your paper.
• Address the Research Questions : If your research paper is based on specific research questions or hypotheses, briefly address whether you’ve answered them or achieved your research goals. Discuss the significance of your findings in this context.
• Significance : Highlight the importance of your research and its relevance in the broader context. Explain why your findings matter and how they contribute to the existing knowledge in your field.
• Implications : Explore the practical or theoretical implications of your research. How might your findings impact future research, policy, or real-world applications? Consider the “so what?” question.
• Future Research : Offer suggestions for future research in your area. What questions or aspects remain unanswered or warrant further investigation? This shows that your work opens the door for future exploration.
• Closing Thought : Conclude your research paper conclusion with a thought-provoking or memorable statement. This can leave a lasting impression on your readers and wrap up your paper effectively. Avoid introducing new information or arguments here.
• Proofread and Revise : Carefully proofread your conclusion for grammar, spelling, and clarity. Ensure that your ideas flow smoothly and that your conclusion is coherent and well-structured.

Write your research paper conclusion 2x faster with Paperpal. Try it now!

Remember that a well-crafted research paper conclusion is a reflection of the strength of your research and your ability to communicate its significance effectively. It should leave a lasting impression on your readers and tie together all the threads of your paper. Now you know how to start the conclusion of a research paper and what elements to include to make it impactful, let’s look at a research paper conclusion sample.

How to write a research paper conclusion with Paperpal?

A research paper conclusion is not just a summary of your study, but a synthesis of the key findings that ties the research together and places it in a broader context. A research paper conclusion should be concise, typically around one paragraph in length. However, some complex topics may require a longer conclusion to ensure the reader is left with a clear understanding of the study’s significance. Paperpal, an AI writing assistant trusted by over 800,000 academics globally, can help you write a well-structured conclusion for your research paper. 

• Sign Up or Log In: Create a new Paperpal account or login with your details.  
• Navigate to Features : Once logged in, head over to the features’ side navigation pane. Click on Templates and you’ll find a suite of generative AI features to help you write better, faster.  
• Generate an outline: Under Templates, select ‘Outlines’. Choose ‘Research article’ as your document type.  
• Select your section: Since you’re focusing on the conclusion, select this section when prompted.  
• Choose your field of study: Identifying your field of study allows Paperpal to provide more targeted suggestions, ensuring the relevance of your conclusion to your specific area of research. 
• Provide a brief description of your study: Enter details about your research topic and findings. This information helps Paperpal generate a tailored outline that aligns with your paper’s content. 
• Generate the conclusion outline: After entering all necessary details, click on ‘generate’. Paperpal will then create a structured outline for your conclusion, to help you start writing and build upon the outline.  
• Write your conclusion: Use the generated outline to build your conclusion. The outline serves as a guide, ensuring you cover all critical aspects of a strong conclusion, from summarizing key findings to highlighting the research’s implications. 
• Refine and enhance: Paperpal’s ‘Make Academic’ feature can be particularly useful in the final stages. Select any paragraph of your conclusion and use this feature to elevate the academic tone, ensuring your writing is aligned to the academic journal standards. 

By following these steps, Paperpal not only simplifies the process of writing a research paper conclusion but also ensures it is impactful, concise, and aligned with academic standards. Sign up with Paperpal today and write your research paper conclusion 2x faster .  

The research paper conclusion is a crucial part of your paper as it provides the final opportunity to leave a strong impression on your readers. In the research paper conclusion, summarize the main points of your research paper by restating your research statement, highlighting the most important findings, addressing the research questions or objectives, explaining the broader context of the study, discussing the significance of your findings, providing recommendations if applicable, and emphasizing the takeaway message. The main purpose of the conclusion is to remind the reader of the main point or argument of your paper and to provide a clear and concise summary of the key findings and their implications. All these elements should feature on your list of what to put in the conclusion of a research paper to create a strong final statement for your work.

A strong conclusion is a critical component of a research paper, as it provides an opportunity to wrap up your arguments, reiterate your main points, and leave a lasting impression on your readers. Here are the key elements of a strong research paper conclusion: 1. Conciseness : A research paper conclusion should be concise and to the point. It should not introduce new information or ideas that were not discussed in the body of the paper. 2. Summarization : The research paper conclusion should be comprehensive enough to give the reader a clear understanding of the research’s main contributions. 3 . Relevance : Ensure that the information included in the research paper conclusion is directly relevant to the research paper’s main topic and objectives; avoid unnecessary details. 4 . Connection to the Introduction : A well-structured research paper conclusion often revisits the key points made in the introduction and shows how the research has addressed the initial questions or objectives. 5. Emphasis : Highlight the significance and implications of your research. Why is your study important? What are the broader implications or applications of your findings? 6 . Call to Action : Include a call to action or a recommendation for future research or action based on your findings.

The length of a research paper conclusion can vary depending on several factors, including the overall length of the paper, the complexity of the research, and the specific journal requirements. While there is no strict rule for the length of a conclusion, but it’s generally advisable to keep it relatively short. A typical research paper conclusion might be around 5-10% of the paper’s total length. For example, if your paper is 10 pages long, the conclusion might be roughly half a page to one page in length.

In general, you do not need to include citations in the research paper conclusion. Citations are typically reserved for the body of the paper to support your arguments and provide evidence for your claims. However, there may be some exceptions to this rule: 1. If you are drawing a direct quote or paraphrasing a specific source in your research paper conclusion, you should include a citation to give proper credit to the original author. 2. If your conclusion refers to or discusses specific research, data, or sources that are crucial to the overall argument, citations can be included to reinforce your conclusion’s validity.

The conclusion of a research paper serves several important purposes: 1. Summarize the Key Points 2. Reinforce the Main Argument 3. Provide Closure 4. Offer Insights or Implications 5. Engage the Reader. 6. Reflect on Limitations

Remember that the primary purpose of the research paper conclusion is to leave a lasting impression on the reader, reinforcing the key points and providing closure to your research. It’s often the last part of the paper that the reader will see, so it should be strong and well-crafted.

• Makar, G., Foltz, C., Lendner, M., & Vaccaro, A. R. (2018). How to write effective discussion and conclusion sections. Clinical spine surgery, 31(8), 345-346.
• Bunton, D. (2005). The structure of PhD conclusion chapters.  Journal of English for academic purposes ,  4 (3), 207-224.

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A Step-by-Step Guide to Doing Historical Research [without getting hysterical!] In addition to being a scholarly investigation, research is a social activity intended to create new knowledge. Historical research is your informed response to the questions that you ask while examining the record of human experience. These questions may concern such elements as looking at an event or topic, examining events that lead to the event in question, social influences, key players, and other contextual information. This step-by-step guide progresses from an introduction to historical resources to information about how to identify a topic, craft a thesis and develop a research paper. Table of contents: The Range and Richness of Historical Sources Secondary Sources Primary Sources Historical Analysis What is it? Who, When, Where, What and Why: The Five "W"s Topic, Thesis, Sources Definition of Terms Choose a Topic Craft a Thesis Evaluate Thesis and Sources A Variety of Information Sources Take Efficient Notes Note Cards Thinking, Organizing, Researching Parenthetical Documentation Prepare a Works Cited Page Drafting, Revising, Rewriting, Rethinking For Further Reading: Works Cited Additional Links So you want to study history?! Tons of help and links Slatta Home Page Use the Writing and other links on the lefhand menu I. The Range and Richness of Historical Sources Back to Top Every period leaves traces, what historians call "sources" or evidence. Some are more credible or carry more weight than others; judging the differences is a vital skill developed by good historians. Sources vary in perspective, so knowing who created the information you are examining is vital. Anonymous doesn't make for a very compelling source. For example, an FBI report on the antiwar movement, prepared for U.S. President Richard Nixon, probably contained secrets that at the time were thought to have affected national security. It would not be usual, however, for a journalist's article about a campus riot, featured in a local newspaper, to leak top secret information. Which source would you read? It depends on your research topic. If you're studying how government officials portrayed student activists, you'll want to read the FBI report and many more documents from other government agencies such as the CIA and the National Security Council. If you're investigating contemporary opinion of pro-war and anti-war activists, local newspaper accounts provide a rich resource. You'd want to read a variety of newspapers to ensure you're covering a wide range of opinions (rural/urban, left/right, North/South, Soldier/Draft-dodger, etc). Historians classify sources into two major categories: primary and secondary sources. Secondary Sources Back to Top Definition: Secondary sources are created by someone who was either not present when the event occurred or removed from it in time. We use secondary sources for overview information, to familiarize ourselves with a topic, and compare that topic with other events in history. In refining a research topic, we often begin with secondary sources. This helps us identify gaps or conflicts in the existing scholarly literature that might prove promsing topics. Types: History books, encyclopedias, historical dictionaries, and academic (scholarly) articles are secondary sources. To help you determine the status of a given secondary source, see How to identify and nagivate scholarly literature . Examples: Historian Marilyn Young's (NYU) book about the Vietnam War is a secondary source. She did not participate in the war. Her study is not based on her personal experience but on the evidence she culled from a variety of sources she found in the United States and Vietnam. Primary Sources Back to Top Definition: Primary sources emanate from individuals or groups who participated in or witnessed an event and recorded that event during or immediately after the event. They include speeches, memoirs, diaries, letters, telegrams, emails, proclamations, government documents, and much more. Examples: A student activist during the war writing about protest activities has created a memoir. This would be a primary source because the information is based on her own involvement in the events she describes. Similarly, an antiwar speech is a primary source. So is the arrest record of student protesters. A newspaper editorial or article, reporting on a student demonstration is also a primary source. II. Historical Analysis What is it? Back to Top No matter what you read, whether it's a primary source or a secondary source, you want to know who authored the source (a trusted scholar? A controversial historian? A propagandist? A famous person? An ordinary individual?). "Author" refers to anyone who created information in any medium (film, sound, or text). You also need to know when it was written and the kind of audience the author intend to reach. You should also consider what you bring to the evidence that you examine. Are you inductively following a path of evidence, developing your interpretation based on the sources? Do you have an ax to grind? Did you begin your research deductively, with your mind made up before even seeing the evidence. Historians need to avoid the latter and emulate the former. To read more about the distinction, examine the difference between Intellectual Inquirers and Partisan Ideologues . In the study of history, perspective is everything. A letter written by a twenty- year old Vietnam War protestor will differ greatly from a letter written by a scholar of protest movements. Although the sentiment might be the same, the perspective and influences of these two authors will be worlds apart. Practicing the " 5 Ws " will avoid the confusion of the authority trap. Who, When, Where, What and Why: The Five "W"s Back to Top Historians accumulate evidence (information, including facts, stories, interpretations, opinions, statements, reports, etc.) from a variety of sources (primary and secondary). They must also verify that certain key pieces of information are corroborated by a number of people and sources ("the predonderance of evidence"). The historian poses the " 5 Ws " to every piece of information he examines: Who is the historical actor? When did the event take place? Where did it occur? What did it entail and why did it happen the way it did? The " 5 Ws " can also be used to evaluate a primary source. Who authored the work? When was it created? Where was it created, published, and disseminated? Why was it written (the intended audience), and what is the document about (what points is the author making)? If you know the answers to these five questions, you can analyze any document, and any primary source. The historian doesn't look for the truth, since this presumes there is only one true story. The historian tries to understand a number of competing viewpoints to form his or her own interpretation-- what constitutes the best explanation of what happened and why. By using as wide a range of primary source documents and secondary sources as possible, you will add depth and richness to your historical analysis. The more exposure you, the researcher, have to a number of different sources and differing view points, the more you have a balanced and complete view about a topic in history. This view will spark more questions and ultimately lead you into the quest to unravel more clues about your topic. You are ready to start assembling information for your research paper. III. Topic, Thesis, Sources Definition of Terms Back to Top Because your purpose is to create new knowledge while recognizing those scholars whose existing work has helped you in this pursuit, you are honor bound never to commit the following academic sins: Plagiarism: Literally "kidnapping," involving the use of someone else's words as if they were your own (Gibaldi 6). To avoid plagiarism you must document direct quotations, paraphrases, and original ideas not your own. Recycling: Rehashing material you already know thoroughly or, without your professor's permission, submitting a paper that you have completed for another course. Premature cognitive commitment: Academic jargon for deciding on a thesis too soon and then seeking information to serve that thesis rather than embarking on a genuine search for new knowledge. Choose a Topic Back to Top "Do not hunt for subjects, let them choose you, not you them." --Samuel Butler Choosing a topic is the first step in the pursuit of a thesis. Below is a logical progression from topic to thesis: Close reading of the primary text, aided by secondary sources Growing awareness of interesting qualities within the primary text Choosing a topic for research Asking productive questions that help explore and evaluate a topic Creating a research hypothesis Revising and refining a hypothesis to form a working thesis First, and most important, identify what qualities in the primary or secondary source pique your imagination and curiosity and send you on a search for answers. Bloom's taxonomy of cognitive levels provides a description of productive questions asked by critical thinkers. While the lower levels (knowledge, comprehension) are necessary to a good history essay, aspire to the upper three levels (analysis, synthesis, evaluation). Skimming reference works such as encyclopedias, books, critical essays and periodical articles can help you choose a topic that evolves into a hypothesis, which in turn may lead to a thesis. One approach to skimming involves reading the first paragraph of a secondary source to locate and evaluate the author's thesis. Then for a general idea of the work's organization and major ideas read the first and last sentence of each paragraph. Read the conclusion carefully, as it usually presents a summary (Barnet and Bedau 19). Craft a Thesis Back to Top Very often a chosen topic is too broad for focused research. You must revise it until you have a working hypothesis, that is, a statement of an idea or an approach with respect to the source that could form the basis for your thesis. Remember to not commit too soon to any one hypothesis. Use it as a divining rod or a first step that will take you to new information that may inspire you to revise your hypothesis. Be flexible. Give yourself time to explore possibilities. The hypothesis you create will mature and shift as you write and rewrite your paper. New questions will send you back to old and on to new material. Remember, this is the nature of research--it is more a spiraling or iterative activity than a linear one. Test your working hypothesis to be sure it is: broad enough to promise a variety of resources. narrow enough for you to research in depth. original enough to interest you and your readers. worthwhile enough to offer information and insights of substance "do-able"--sources are available to complete the research. Now it is time to craft your thesis, your revised and refined hypothesis. A thesis is a declarative sentence that: focuses on one well-defined idea makes an arguable assertion; it is capable of being supported prepares your readers for the body of your paper and foreshadows the conclusion. Evaluate Thesis and Sources Back to Top Like your hypothesis, your thesis is not carved in stone. You are in charge. If necessary, revise it during the research process. As you research, continue to evaluate both your thesis for practicality, originality, and promise as a search tool, and secondary sources for relevance and scholarliness. The following are questions to ask during the research process: Are there many journal articles and entire books devoted to the thesis, suggesting that the subject has been covered so thoroughly that there may be nothing new to say? Does the thesis lead to stimulating, new insights? Are appropriate sources available? Is there a variety of sources available so that the bibliography or works cited page will reflect different kinds of sources? Which sources are too broad for my thesis? Which resources are too narrow? Who is the author of the secondary source? Does the critic's background suggest that he/she is qualified? After crafting a thesis, consider one of the following two approaches to writing a research paper: Excited about your thesis and eager to begin? Return to the primary or secondary source to find support for your thesis. Organize ideas and begin writing your first draft. After writing the first draft, have it reviewed by your peers and your instructor. Ponder their suggestions and return to the sources to answer still-open questions. Document facts and opinions from secondary sources. Remember, secondary sources can never substitute for primary sources. Confused about where to start? Use your thesis to guide you to primary and secondary sources. Secondary sources can help you clarify your position and find a direction for your paper. Keep a working bibliography. You may not use all the sources you record, but you cannot be sure which ones you will eventually discard. Create a working outline as you research. This outline will, of course, change as you delve more deeply into your subject. A Variety of Information Sources Back to Top "A mind that is stretched to a new idea never returns to its original dimension." --Oliver Wendell Holmes Your thesis and your working outline are the primary compasses that will help you navigate the variety of sources available. In "Introduction to the Library" (5-6) the MLA Handbook for Writers of Research Papers suggests you become familiar with the library you will be using by: taking a tour or enrolling for a brief introductory lecture referring to the library's publications describing its resources introducing yourself and your project to the reference librarian The MLA Handbook also lists guides for the use of libraries (5), including: Jean Key Gates, Guide to the Use of Libraries and Information Sources (7th ed., New York: McGraw, 1994). Thomas Mann, A Guide to Library Research Methods (New York: Oxford UP, 1987). Online Central Catalog Most libraries have their holdings listed on a computer. The online catalog may offer Internet sites, Web pages and databases that relate to the university's curriculum. It may also include academic journals and online reference books. Below are three search techniques commonly used online: Index Search: Although online catalogs may differ slightly from library to library, the most common listings are by: Subject Search: Enter the author's name for books and article written about the author. Author Search: Enter an author's name for works written by the author, including collections of essays the author may have written about his/her own works. Title Search: Enter a title for the screen to list all the books the library carries with that title. Key Word Search/Full-text Search: A one-word search, e.g., 'Kennedy,' will produce an overwhelming number of sources, as it will call up any entry that includes the name 'Kennedy.' To focus more narrowly on your subject, add one or more key words, e.g., "John Kennedy, Peace Corps." Use precise key words. Boolean Search: Boolean Search techniques use words such as "and," "or," and "not," which clarify the relationship between key words, thus narrowing the search. Take Efficient Notes Back to Top Keeping complete and accurate bibliography and note cards during the research process is a time (and sanity) saving practice. If you have ever needed a book or pages within a book, only to discover that an earlier researcher has failed to return it or torn pages from your source, you understand the need to take good notes. Every researcher has a favorite method for taking notes. Here are some suggestions-- customize one of them for your own use. Bibliography cards There may be far more books and articles listed than you have time to read, so be selective when choosing a reference. Take information from works that clearly relate to your thesis, remembering that you may not use them all. Use a smaller or a different color card from the one used for taking notes. Write a bibliography card for every source. Number the bibliography cards. On the note cards, use the number rather than the author's name and the title. It's faster. Another method for recording a working bibliography, of course, is to create your own database. Adding, removing, and alphabetizing titles is a simple process. Be sure to save often and to create a back-up file. A bibliography card should include all the information a reader needs to locate that particular source for further study. Most of the information required for a book entry (Gibaldi 112): Author's name Title of a part of the book [preface, chapter titles, etc.] Title of the book Name of the editor, translator, or compiler Edition used Number(s) of the volume(s) used Name of the series Place of publication, name of the publisher, and date of publication Page numbers Supplementary bibliographic information and annotations Most of the information required for an article in a periodical (Gibaldi 141): Author's name Title of the article Name of the periodical Series number or name (if relevant) Volume number (for a scholarly journal) Issue number (if needed) Date of publication Page numbers Supplementary information For information on how to cite other sources refer to your So you want to study history page . Note Cards Back to Top Take notes in ink on either uniform note cards (3x5, 4x6, etc.) or uniform slips of paper. Devote each note card to a single topic identified at the top. Write only on one side. Later, you may want to use the back to add notes or personal observations. Include a topical heading for each card. Include the number of the page(s) where you found the information. You will want the page number(s) later for documentation, and you may also want page number(s)to verify your notes. Most novice researchers write down too much. Condense. Abbreviate. You are striving for substance, not quantity. Quote directly from primary sources--but the "meat," not everything. Suggestions for condensing information: Summary: A summary is intended to provide the gist of an essay. Do not weave in the author's choice phrases. Read the information first and then condense the main points in your own words. This practice will help you avoid the copying that leads to plagiarism. Summarizing also helps you both analyze the text you are reading and evaluate its strengths and weaknesses (Barnet and Bedau 13). Outline: Use to identify a series of points. Paraphrase, except for key primary source quotations. Never quote directly from a secondary source, unless the precise wording is essential to your argument. Simplify the language and list the ideas in the same order. A paraphrase is as long as the original. Paraphrasing is helpful when you are struggling with a particularly difficult passage. Be sure to jot down your own insights or flashes of brilliance. Ralph Waldo Emerson warns you to "Look sharply after your thoughts. They come unlooked for, like a new bird seen on your trees, and, if you turn to your usual task, disappear...." To differentiate these insights from those of the source you are reading, initial them as your own. (When the following examples of note cards include the researcher's insights, they will be followed by the initials N. R.) When you have finished researching your thesis and you are ready to write your paper, organize your cards according to topic. Notecards make it easy to shuffle and organize your source information on a table-- or across the floor. Maintain your working outline that includes the note card headings and explores a logical order for presenting them in your paper. IV. Begin Thinking, Researching, Organizing Back to Top Don't be too sequential. Researching, writing, revising is a complex interactive process. Start writing as soon as possible! "The best antidote to writer's block is--to write." (Klauser 15). However, you still feel overwhelmed and are staring at a blank page, you are not alone. Many students find writing the first sentence to be the most daunting part of the entire research process. Be creative. Cluster (Rico 28-49). Clustering is a form of brainstorming. Sometimes called a web, the cluster forms a design that may suggest a natural organization for a paper. Here's a graphical depiction of brainstorming . Like a sun, the generating idea or topic lies at the center of the web. From it radiate words, phrases, sentences and images that in turn attract other words, phrases, sentences and images. Put another way--stay focused. Start with your outline. If clustering is not a technique that works for you, turn to the working outline you created during the research process. Use the outline view of your word processor. If you have not already done so, group your note cards according to topic headings. Compare them to your outline's major points. If necessary, change the outline to correspond with the headings on the note cards. If any area seems weak because of a scarcity of facts or opinions, return to your primary and/or secondary sources for more information or consider deleting that heading. Use your outline to provide balance in your essay. Each major topic should have approximately the same amount of information. Once you have written a working outline, consider two different methods for organizing it. Deduction: A process of development that moves from the general to the specific. You may use this approach to present your findings. However, as noted above, your research and interpretive process should be inductive. Deduction is the most commonly used form of organization for a research paper. The thesis statement is the generalization that leads to the specific support provided by primary and secondary sources. The thesis is stated early in the paper. The body of the paper then proceeds to provide the facts, examples, and analogies that flow logically from that thesis. The thesis contains key words that are reflected in the outline. These key words become a unifying element throughout the paper, as they reappear in the detailed paragraphs that support and develop the thesis. The conclusion of the paper circles back to the thesis, which is now far more meaningful because of the deductive development that supports it. Chronological order A process that follows a traditional time line or sequence of events. A chronological organization is useful for a paper that explores cause and effect. Parenthetical Documentation Back to Top The Works Cited page, a list of primary and secondary sources, is not sufficient documentation to acknowledge the ideas, facts, and opinions you have included within your text. The MLA Handbook for Writers of Research Papers describes an efficient parenthetical style of documentation to be used within the body of your paper. Guidelines for parenthetical documentation: "References to the text must clearly point to specific sources in the list of works cited" (Gibaldi 184). Try to use parenthetical documentation as little as possible. For example, when you cite an entire work, it is preferable to include the author's name in the text. The author's last name followed by the page number is usually enough for an accurate identification of the source in the works cited list. These examples illustrate the most common kinds of documentation. Documenting a quotation: Ex. "The separation from the personal mother is a particularly intense process for a daughter because she has to separate from the one who is the same as herself" (Murdock 17). She may feel abandoned and angry. Note: The author of The Heroine's Journey is listed under Works Cited by the author's name, reversed--Murdock, Maureen. Quoted material is found on page 17 of that book. Parenthetical documentation is after the quotation mark and before the period. Documenting a paraphrase: Ex. In fairy tales a woman who holds the princess captive or who abandons her often needs to be killed (18). Note: The second paraphrase is also from Murdock's book The Heroine's Journey. It is not, however, necessary to repeat the author's name if no other documentation interrupts the two. If the works cited page lists more than one work by the same author, include within the parentheses an abbreviated form of the appropriate title. You may, of course, include the title in your sentence, making it unnecessary to add an abbreviated title in the citation. > Prepare a Works Cited Page Back to Top There are a variety of titles for the page that lists primary and secondary sources (Gibaldi 106-107). A Works Cited page lists those works you have cited within the body of your paper. The reader need only refer to it for the necessary information required for further independent research. Bibliography means literally a description of books. Because your research may involve the use of periodicals, films, art works, photographs, etc. "Works Cited" is a more precise descriptive term than bibliography. An Annotated Bibliography or Annotated Works Cited page offers brief critiques and descriptions of the works listed. A Works Consulted page lists those works you have used but not cited. Avoid using this format. As with other elements of a research paper there are specific guidelines for the placement and the appearance of the Works Cited page. The following guidelines comply with MLA style: The Work Cited page is placed at the end of your paper and numbered consecutively with the body of your paper. Center the title and place it one inch from the top of your page. Do not quote or underline the title. Double space the entire page, both within and between entries. The entries are arranged alphabetically by the author's last name or by the title of the article or book being cited. If the title begins with an article (a, an, the) alphabetize by the next word. If you cite two or more works by the same author, list the titles in alphabetical order. Begin every entry after the first with three hyphens followed by a period. All entries begin at the left margin but subsequent lines are indented five spaces. Be sure that each entry cited on the Works Cited page corresponds to a specific citation within your paper. Refer to the the MLA Handbook for Writers of Research Papers (104- 182) for detailed descriptions of Work Cited entries. Citing sources from online databases is a relatively new phenomenon. Make sure to ask your professor about citing these sources and which style to use. V. Draft, Revise, Rewrite, Rethink Back to Top "There are days when the result is so bad that no fewer than five revisions are required. In contrast, when I'm greatly inspired, only four revisions are needed." --John Kenneth Galbraith Try freewriting your first draft. Freewriting is a discovery process during which the writer freely explores a topic. Let your creative juices flow. In Writing without Teachers , Peter Elbow asserts that "[a]lmost everybody interposes a massive and complicated series of editings between the time words start to be born into consciousness and when they finally come off the end of the pencil or typewriter [or word processor] onto the page" (5). Do not let your internal judge interfere with this first draft. Creating and revising are two very different functions. Don't confuse them! If you stop to check spelling, punctuation, or grammar, you disrupt the flow of creative energy. Create; then fix it later. When material you have researched comes easily to mind, include it. Add a quick citation, one you can come back to later to check for form, and get on with your discovery. In subsequent drafts, focus on creating an essay that flows smoothly, supports fully, and speaks clearly and interestingly. Add style to substance. Create a smooth flow of words, ideas and paragraphs. Rearrange paragraphs for a logical progression of information. Transition is essential if you want your reader to follow you smoothly from introduction to conclusion. Transitional words and phrases stitch your ideas together; they provide coherence within the essay. External transition: Words and phrases that are added to a sentence as overt signs of transition are obvious and effective, but should not be overused, as they may draw attention to themselves and away from ideas. Examples of external transition are "however," "then," "next," "therefore." "first," "moreover," and "on the other hand." Internal transition is more subtle. Key words in the introduction become golden threads when they appear in the paper's body and conclusion. When the writer hears a key word repeated too often, however, she/he replaces it with a synonym or a pronoun. Below are examples of internal transition. Transitional sentences create a logical flow from paragraph to paragraph. Iclude individual words, phrases, or clauses that refer to previous ideas and that point ahead to new ones. They are usually placed at the end or at the beginning of a paragraph. A transitional paragraph conducts your reader from one part of the paper to another. It may be only a few sentences long. Each paragraph of the body of the paper should contain adequate support for its one governing idea. Speak/write clearly, in your own voice. Tone: The paper's tone, whether formal, ironic, or humorous, should be appropriate for the audience and the subject. Voice: Keep you language honest. Your paper should sound like you. Understand, paraphrase, absorb, and express in your own words the information you have researched. Avoid phony language. Sentence formation: When you polish your sentences, read them aloud for word choice and word placement. Be concise. Strunk and White in The Elements of Style advise the writer to "omit needless words" (23). First, however, you must recognize them. Keep yourself and your reader interested. In fact, Strunk's 1918 writing advice is still well worth pondering. First, deliver on your promises. Be sure the body of your paper fulfills the promise of the introduction. Avoid the obvious. Offer new insights. Reveal the unexpected. Have you crafted your conclusion as carefully as you have your introduction? Conclusions are not merely the repetition of your thesis. The conclusion of a research paper is a synthesis of the information presented in the body. Your research has led you to conclusions and opinions that have helped you understand your thesis more deeply and more clearly. Lift your reader to the full level of understanding that you have achieved. Revision means "to look again." Find a peer reader to read your paper with you present. Or, visit your college or university's writing lab. Guide your reader's responses by asking specific questions. Are you unsure of the logical order of your paragraphs? Do you want to know whether you have supported all opinions adequately? Are you concerned about punctuation or grammar? Ask that these issues be addressed. You are in charge. Here are some techniques that may prove helpful when you are revising alone or with a reader. When you edit for spelling errors read the sentences backwards. This procedure will help you look closely at individual words. Always read your paper aloud. Hearing your own words puts them in a new light. Listen to the flow of ideas and of language. Decide whether or not the voice sounds honest and the tone is appropriate to the purpose of the paper and to your audience. Listen for awkward or lumpy wording. Find the one right word, Eliminate needless words. Combine sentences. Kill the passive voice. Eliminate was/were/is/are constructions. They're lame and anti-historical. Be ruthless. If an idea doesn't serve your thesis, banish it, even if it's one of your favorite bits of prose. In the margins, write the major topic of each paragraph. By outlining after you have written the paper, you are once again evaluating your paper's organization. OK, you've got the process down. Now execute! And enjoy! It's not everyday that you get to make history. VI. For Further Reading: Works Cited Back to Top Barnet, Sylvan, and Hugo Bedau. Critical Thinking, Reading, and Writing: A Brief Guide to Argument. Boston: Bedford, 1993. Brent, Doug. Reading as Rhetorical Invention: Knowledge,Persuasion and the Teaching of Research-Based Writing. Urbana: NCTE, 1992. Elbow, Peter. Writing without Teachers. New York: Oxford University Press, 1973. Gibladi, Joseph. MLA Handbook for Writers of Research Papers. 4th ed. New York: Modern Language Association, 1995. Horvitz, Deborah. "Nameless Ghosts: Possession and Dispossession in Beloved." Studies in American Fiction , Vol. 17, No. 2, Autum, 1989, pp. 157-167. Republished in the Literature Research Center. Gale Group. (1 January 1999). Klauser, Henriette Anne. Writing on Both Sides of the Brain: Breakthrough Techniques for People Who Write. Philadelphia: Harper, 1986. Rico, Gabriele Lusser. Writing the Natural Way: Using Right Brain Techniques to Release Your Expressive Powers. Los Angeles: Houghton, 1983. Sorenson, Sharon. The Research Paper: A Contemporary Approach. New York: AMSCO, 1994. Strunk, William, Jr., and E. B. White. The Elements of Style. 3rd ed. New York: MacMillan, 1979. Back to Top This guide adapted from materials published by Thomson Gale, publishers. For free resources, including a generic guide to writing term papers, see the Gale.com website , which also includes product information for schools.

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Research Paper Conclusion – Writing Guide and Examples

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Research Paper Conclusion

Definition:

A research paper conclusion is the final section of a research paper that summarizes the key findings, significance, and implications of the research. It is the writer’s opportunity to synthesize the information presented in the paper, draw conclusions, and make recommendations for future research or actions.

The conclusion should provide a clear and concise summary of the research paper, reiterating the research question or problem, the main results, and the significance of the findings. It should also discuss the limitations of the study and suggest areas for further research.

Parts of Research Paper Conclusion

The parts of a research paper conclusion typically include:

Restatement of the Thesis

The conclusion should begin by restating the thesis statement from the introduction in a different way. This helps to remind the reader of the main argument or purpose of the research.

Summary of Key Findings

The conclusion should summarize the main findings of the research, highlighting the most important results and conclusions. This section should be brief and to the point.

Implications and Significance

In this section, the researcher should explain the implications and significance of the research findings. This may include discussing the potential impact on the field or industry, highlighting new insights or knowledge gained, or pointing out areas for future research.

Limitations and Recommendations

It is important to acknowledge any limitations or weaknesses of the research and to make recommendations for how these could be addressed in future studies. This shows that the researcher is aware of the potential limitations of their work and is committed to improving the quality of research in their field.

Concluding Statement

The conclusion should end with a strong concluding statement that leaves a lasting impression on the reader. This could be a call to action, a recommendation for further research, or a final thought on the topic.

How to Write Research Paper Conclusion

Here are some steps you can follow to write an effective research paper conclusion:

• Restate the research problem or question: Begin by restating the research problem or question that you aimed to answer in your research. This will remind the reader of the purpose of your study.
• Summarize the main points: Summarize the key findings and results of your research. This can be done by highlighting the most important aspects of your research and the evidence that supports them.
• Discuss the implications: Discuss the implications of your findings for the research area and any potential applications of your research. You should also mention any limitations of your research that may affect the interpretation of your findings.
• Provide a conclusion : Provide a concise conclusion that summarizes the main points of your paper and emphasizes the significance of your research. This should be a strong and clear statement that leaves a lasting impression on the reader.
• Offer suggestions for future research: Lastly, offer suggestions for future research that could build on your findings and contribute to further advancements in the field.

Remember that the conclusion should be brief and to the point, while still effectively summarizing the key findings and implications of your research.

Example of Research Paper Conclusion

Here’s an example of a research paper conclusion:

Conclusion :

In conclusion, our study aimed to investigate the relationship between social media use and mental health among college students. Our findings suggest that there is a significant association between social media use and increased levels of anxiety and depression among college students. This highlights the need for increased awareness and education about the potential negative effects of social media use on mental health, particularly among college students.

Despite the limitations of our study, such as the small sample size and self-reported data, our findings have important implications for future research and practice. Future studies should aim to replicate our findings in larger, more diverse samples, and investigate the potential mechanisms underlying the association between social media use and mental health. In addition, interventions should be developed to promote healthy social media use among college students, such as mindfulness-based approaches and social media detox programs.

Overall, our study contributes to the growing body of research on the impact of social media on mental health, and highlights the importance of addressing this issue in the context of higher education. By raising awareness and promoting healthy social media use among college students, we can help to reduce the negative impact of social media on mental health and improve the well-being of young adults.

Purpose of Research Paper Conclusion

The purpose of a research paper conclusion is to provide a summary and synthesis of the key findings, significance, and implications of the research presented in the paper. The conclusion serves as the final opportunity for the writer to convey their message and leave a lasting impression on the reader.

The conclusion should restate the research problem or question, summarize the main results of the research, and explain their significance. It should also acknowledge the limitations of the study and suggest areas for future research or action.

Overall, the purpose of the conclusion is to provide a sense of closure to the research paper and to emphasize the importance of the research and its potential impact. It should leave the reader with a clear understanding of the main findings and why they matter. The conclusion serves as the writer’s opportunity to showcase their contribution to the field and to inspire further research and action.

When to Write Research Paper Conclusion

The conclusion of a research paper should be written after the body of the paper has been completed. It should not be written until the writer has thoroughly analyzed and interpreted their findings and has written a complete and cohesive discussion of the research.

Before writing the conclusion, the writer should review their research paper and consider the key points that they want to convey to the reader. They should also review the research question, hypotheses, and methodology to ensure that they have addressed all of the necessary components of the research.

Once the writer has a clear understanding of the main findings and their significance, they can begin writing the conclusion. The conclusion should be written in a clear and concise manner, and should reiterate the main points of the research while also providing insights and recommendations for future research or action.

Characteristics of Research Paper Conclusion

The characteristics of a research paper conclusion include:

• Clear and concise: The conclusion should be written in a clear and concise manner, summarizing the key findings and their significance.
• Comprehensive: The conclusion should address all of the main points of the research paper, including the research question or problem, the methodology, the main results, and their implications.
• Future-oriented : The conclusion should provide insights and recommendations for future research or action, based on the findings of the research.
• Impressive : The conclusion should leave a lasting impression on the reader, emphasizing the importance of the research and its potential impact.
• Objective : The conclusion should be based on the evidence presented in the research paper, and should avoid personal biases or opinions.
• Unique : The conclusion should be unique to the research paper and should not simply repeat information from the introduction or body of the paper.

Advantages of Research Paper Conclusion

The advantages of a research paper conclusion include:

• Summarizing the key findings : The conclusion provides a summary of the main findings of the research, making it easier for the reader to understand the key points of the study.
• Emphasizing the significance of the research: The conclusion emphasizes the importance of the research and its potential impact, making it more likely that readers will take the research seriously and consider its implications.
• Providing recommendations for future research or action : The conclusion suggests practical recommendations for future research or action, based on the findings of the study.
• Providing closure to the research paper : The conclusion provides a sense of closure to the research paper, tying together the different sections of the paper and leaving a lasting impression on the reader.
• Demonstrating the writer’s contribution to the field : The conclusion provides the writer with an opportunity to showcase their contribution to the field and to inspire further research and action.

Limitations of Research Paper Conclusion

While the conclusion of a research paper has many advantages, it also has some limitations that should be considered, including:

• I nability to address all aspects of the research: Due to the limited space available in the conclusion, it may not be possible to address all aspects of the research in detail.
• Subjectivity : While the conclusion should be objective, it may be influenced by the writer’s personal biases or opinions.
• Lack of new information: The conclusion should not introduce new information that has not been discussed in the body of the research paper.
• Lack of generalizability: The conclusions drawn from the research may not be applicable to other contexts or populations, limiting the generalizability of the study.
• Misinterpretation by the reader: The reader may misinterpret the conclusions drawn from the research, leading to a misunderstanding of the findings.

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• Gathering sources
• Find Primary Sources
• Paraphrasing and Quoting Sources
• How to create an Annotated Bibliography
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• Avoiding Plagiarism

Sample History Papers

Sample title pages, outlines, & citations.

• Research Paper Checklist

These are examples of well written, properly cited history papers.

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• Judge and Langdon Book Review/Research Paper - Example 1
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• HST 302 Paper Example example of a paper for upper division History courses
• HST 302 Title Page
• Outline Example Example of an outline for a first year level history paper.
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How to Create a Structured Research Paper Outline | Example

Published on August 7, 2022 by Courtney Gahan . Revised on August 15, 2023.

A research paper outline is a useful tool to aid in the writing process , providing a structure to follow with all information to be included in the paper clearly organized.

A quality outline can make writing your research paper more efficient by helping to:

• Organize your thoughts
• Understand the flow of information and how ideas are related
• Ensure nothing is forgotten

A research paper outline can also give your teacher an early idea of the final product.

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Table of contents

Research paper outline example, how to write a research paper outline, formatting your research paper outline, language in research paper outlines.

• Definition of measles
• Rise in cases in recent years in places the disease was previously eliminated or had very low rates of infection
• Figures: Number of cases per year on average, number in recent years. Relate to immunization
• Symptoms and timeframes of disease
• Risk of fatality, including statistics
• How measles is spread
• Immunization procedures in different regions
• Different regions, focusing on the arguments from those against immunization
• Immunization figures in affected regions
• High number of cases in non-immunizing regions
• Illnesses that can result from measles virus
• Fatal cases of other illnesses after patient contracted measles
• Summary of arguments of different groups
• Summary of figures and relationship with recent immunization debate
• Which side of the argument appears to be correct?

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The AI-powered Citation Checker helps you avoid common mistakes such as:

• Missing commas and periods
• Incorrect usage of “et al.”
• Ampersands (&) in narrative citations
• Missing reference entries

Follow these steps to start your research paper outline:

• Decide on the subject of the paper
• Write down all the ideas you want to include or discuss
• Organize related ideas into sub-groups
• Arrange your ideas into a hierarchy: What should the reader learn first? What is most important? Which idea will help end your paper most effectively?
• Create headings and subheadings that are effective
• Format the outline in either alphanumeric, full-sentence or decimal format

There are three different kinds of research paper outline: alphanumeric, full-sentence and decimal outlines. The differences relate to formatting and style of writing.

• Alphanumeric
• Full-sentence

An alphanumeric outline is most commonly used. It uses Roman numerals, capitalized letters, arabic numerals, lowercase letters to organize the flow of information. Text is written with short notes rather than full sentences.

• Sub-point of sub-point 1

Essentially the same as the alphanumeric outline, but with the text written in full sentences rather than short points.

• Additional sub-point to conclude discussion of point of evidence introduced in point A

A decimal outline is similar in format to the alphanumeric outline, but with a different numbering system: 1, 1.1, 1.2, etc. Text is written as short notes rather than full sentences.

• 1.1.1 Sub-point of first point
• 1.1.2 Sub-point of first point
• 1.2 Second point

To write an effective research paper outline, it is important to pay attention to language. This is especially important if it is one you will show to your teacher or be assessed on.

There are four main considerations: parallelism, coordination, subordination and division.

Parallelism: Be consistent with grammatical form

Parallel structure or parallelism is the repetition of a particular grammatical form within a sentence, or in this case, between points and sub-points. This simply means that if the first point is a verb , the sub-point should also be a verb.

Example of parallelism:

• Include different regions, focusing on the different arguments from those against immunization

Coordination: Be aware of each point’s weight

Your chosen subheadings should hold the same significance as each other, as should all first sub-points, secondary sub-points, and so on.

Example of coordination:

• Include immunization figures in affected regions
• Illnesses that can result from the measles virus

Subordination: Work from general to specific

Subordination refers to the separation of general points from specific. Your main headings should be quite general, and each level of sub-point should become more specific.

Example of subordination:

Division: break information into sub-points.

Your headings should be divided into two or more subsections. There is no limit to how many subsections you can include under each heading, but keep in mind that the information will be structured into a paragraph during the writing stage, so you should not go overboard with the number of sub-points.

Ready to start writing or looking for guidance on a different step in the process? Read our step-by-step guide on how to write a research paper .

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Gahan, C. (2023, August 15). How to Create a Structured Research Paper Outline | Example. Scribbr. Retrieved June 18, 2024, from https://www.scribbr.com/research-paper/outline/

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Understanding Hurricane Katrina: a Defining Moment in American History

This essay about Hurricane Katrina examines its classification as a Category 3 hurricane and its profound impact on the United States. Beyond its meteorological classification, Katrina revealed systemic inequalities and failures in disaster response. The devastation, particularly in New Orleans, highlighted issues of poverty, racial disparity, and environmental vulnerability. The aftermath spurred national dialogue on disaster preparedness and prompted reforms in infrastructure and community resilience. Katrina’s legacy underscores the ongoing need for equitable approaches to disaster management and societal resilience, shaping policies to mitigate future vulnerabilities and ensure more inclusive responses to crises.

How it works

In the annals of modern American history, few events have left as profound an impact as Hurricane Katrina. This devastating natural disaster, which struck the Gulf Coast in late August 2005, not only wreaked havoc on the physical landscape but also exposed deep-seated socioeconomic disparities and systemic failures within the United States. Categorized as a Category 3 hurricane upon landfall, Katrina unleashed unprecedented destruction, particularly affecting the city of New Orleans and its surrounding areas.

Katrina’s classification as a Category 3 hurricane signifies its intensity on the Saffir-Simpson Hurricane Wind Scale, which measures wind speed and potential damage.

Category 3 hurricanes are characterized by wind speeds ranging from 111 to 129 miles per hour (178 to 208 kilometers per hour), capable of causing extensive damage to homes, trees, and infrastructure. Despite initially weakening to a Category 1 storm as it approached the Gulf Coast, Katrina rapidly intensified over the warm waters of the Gulf of Mexico, regaining Category 3 status shortly before making landfall.

The impact of Hurricane Katrina transcended mere wind speeds and rainfall totals. Its aftermath revealed a stark reality of socioeconomic inequality and governmental unpreparedness. The city of New Orleans, with its unique geographical vulnerability below sea level, bore the brunt of the storm’s fury. The failure of levees and floodwalls designed to protect the city exacerbated the disaster, leading to catastrophic flooding that submerged 80% of New Orleans.

The human toll was equally devastating. Tens of thousands of residents were displaced, many forced to seek refuge in overcrowded shelters or evacuate to other cities across the country. The response from federal, state, and local authorities was widely criticized for its inadequacy and sluggishness, further amplifying the sense of despair and abandonment among those affected.

Beyond the immediate physical and human impact, Hurricane Katrina served as a watershed moment in American public policy and disaster preparedness. It laid bare the systemic issues of poverty, racial inequality, and environmental vulnerability that continue to plague the nation. The slow and uneven recovery highlighted disparities in access to resources and services, with marginalized communities disproportionately bearing the long-term consequences of the disaster.

In the years following Katrina, significant efforts were made to rebuild and fortify New Orleans against future storms. Infrastructure improvements, including the reconstruction of levees and floodwalls, aimed to enhance the city’s resilience to hurricanes and flooding. Additionally, initiatives focused on community resilience and disaster preparedness sought to empower local residents and organizations to better withstand and respond to future disasters.

Hurricane Katrina’s legacy endures as a stark reminder of the complex intersection of natural disasters, social dynamics, and governance. It sparked national conversations on issues of race, poverty, and environmental justice, prompting calls for systemic reforms in disaster response and recovery efforts. The lessons learned from Katrina continue to inform policies and practices aimed at building more resilient and equitable communities in the face of an uncertain climate future.

In conclusion, Hurricane Katrina was not merely a Category 3 hurricane in meteorological terms; it was a catalyst for introspection and change in the United States. Its profound impact transcended physical destruction, revealing deep-seated societal issues and galvanizing efforts to address them. As the nation reflects on the lessons of Katrina nearly two decades later, it underscores the imperative of proactive and equitable approaches to disaster preparedness and response, ensuring that no community is left behind in times of crisis.

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Nell Irvin Painter’s understanding of America is beautiful and bracing. We should listen.

“I Just Keep Talking” brings together wide-ranging and pointed essays by the author of “The History of White People.”

From the opening sentences of her new collection, “ I Just Keep Talking: A Life in Essays ,” historian Nell Irvin Painter addresses readers in a voice brimming with knowledge, clarity and, most delightfully, confidence. As she writes, it would have been a terrible thing had she died young, “during the full-blown era of White-male-default segregation, discrimination, and disappearance that wound down only yesterday. I would have disappeared from memory, just another forgotten Black woman scholar, invisible to history and to histography.” And poor readers would have been deprived of her droll wit and self-assured wisdom.

It’s no small thing that in an era filled with grievances based on injuries that are sometimes profound and often perceived, Painter makes it clear that she has not come to this memoir to reclaim a lost or damaged part of herself. She recounts her response to an admirer who once inquired about what she did for healing. “‘Nothing,’ I said. ‘I’m not broken.’ Not broken, but on occasion frustrated, indignant — self-righteously — pissed off with cause, often exhausted, but mostly and permanently grateful for the people who have protected me, mentored me, supported me over so many decades.” This is an invigorating introduction, full of certainty and strength. Painter has moved through her professional life always knowing her worth, never doubting her intelligence and believing that those who might refuse to listen to her insight would be lesser for their decision.

Perhaps it requires a historian to fully grasp the importance — or at least the impact — of telling one’s own story with a certain brio. Painter, 81, is an esteemed historian retired from Princeton University who studied painting later in life, including at the Rhode Island School of Design. (She wrote about that experience in an earlier memoir, “ Old in Art School .”) The essays in “I Just Keep Talking,” which reflect upon the meaning of “Whiteness,” our understanding of enslavement and the power of nuance, among other subjects, are accompanied by her artwork, which sometimes amplifies her words and sometimes stands in their stead. It is a beautiful book. But its power ultimately rests in the sentences, not the pictures.

In some cases, Painter turns her attention to long-ago history, such as the legacy of Sojourner Truth. She informs readers that the 19th-century abolitionist and women’s rights activist did not utter the most famous phrase attributed to her: “Ain’t I a woman?” If Truth had, in fact, asked the question, Painter says, society’s answer would have been “no.” The answer not only would have reflected the circumstances of the times but would have undercut the way in which Truth understood her power and the skill with which she used it.

The Truth sketched by Painter, in an essay from 1994, is more complex than the one who has been reduced to a misattributed slogan. Truth eschewed the trappings of intellectualism and freedom as used by orator Frederick Douglass, and built her “public persona to establish that what had happened to her — her enslavement, rather than her reason — lent her a unique wisdom.”

Painter’s assessment of Truth is searing, sad and deeply revealing to a lay reader. Truth understood a reality of her time, which is that “in the eyes of most nineteenth-century Americans to be both memorable and woman at the same time simply was not possible. Black women’s individual experience had either to be reconstructed as something emblematically Negro — that is, as enslaved — or to be erased.”

As always, understanding our history means understanding ourselves. We carry our history with us: what we’ve learned in textbooks, what has been burnished in familial oral histories and what has been prettied up by politicians. Painter reminds us of history’s complications and subtleties. She encourages civilians — not just activists or academics — to ask all the pertinent questions, even the uncomfortable ones or those that are contrary to our individual politics and preferences.

What did slavery do to those who were in bondage? But also, what did it do to those who enforced it? Painter is insistent in her refusal to cave to the “national hunger for simplifying history.” She is a dogged corrector of the public record. She has even included in this book a letter to the editor she had published in the New Yorker in 2022, in which she carefully disentangles Truth from the famous slogan.

Painter does not limit her sharp critiques to distant ancestors and abolished institutions; she considers still-vibrant personalities and more recent upheavals. She takes us back to the Supreme Court confirmation hearings of Clarence Thomas in 1991, during which Anita Hill, in the pre-#MeToo era, testified to Thomas’s sexual harassment of her. Painter highlights the way in which Thomas forced Hill into the role of spoiler of circumstances that were not yet a fait accompli.

“In a struggle between himself and a woman of his same race, Thomas executed a deft strategy,” Painter writes. “He erected a tableau of White-Black racism that allowed him to occupy the position of the race . By reintroducing concepts of White power, Thomas made himself into the Black person in his story. Then, in the first move of a two-step strategy, he cast Anita Hill into the role of Black woman as traitor to the race .”

Painter continues: “The most common formula expressing minority status is ‘women and Blacks.’ As the emblematic woman is White and the emblematic Black is male, Black women generally are not as easy to comprehend symbolically.”

The racial and gender dynamics that were evident during that 20th-century Shakespearean drama continue to resonate in this century. Black music mogul Sean Combs faces accusations of harassment and violence by women over whom he wielded power. Thomas remains a controversial figure, facing scrutiny over his ethics on the bench and questions about potential conflicts of interest . And Hill has become a revered standard-bearer of a new generation of women who have spoken their truth under daunting circumstances, including Christine Blasey Ford during the 2018 confirmation hearings of Justice Brett M. Kavanaugh.

History simply refuses to remain in the past.

Painter is also the author of “The History of White People” (2010), an exploration of how and why certain individuals were sorted into that racial category. Its sweeping audacity left some observers bemused, not by what it said about our construction of race but by the skin color of the woman who wrote it. Painter has swagger. And in this memoir, she takes advantage of all the privileges of a historian to take an arm’s-distance look at a people, not just those who look like her . She explains Whiteness and how the concept politically evolved during the presidency of Donald Trump .

Whiteness had always been the default, the standard against which all others were measured. Social and political acceptability were based on how closely one hewed to the White ideal. To claim Whiteness as an identity, however, was problematic, because those who did so were white nationalists and supremacists. They were members of the Ku Klux Klan. White pride was a political hand grenade.

“What the time of Trump does for us now is make White Americans visible as raced Americans, as raced counterparts to Black Americans. Long-standing assumptions — that only non-Whites have racial identities, that White Americans are individuals who only have race if they’re Nazis or White nationalists — those assumptions no longer hold,” Painter writes in an essay from 2018. “I’m turning the glass around to focus on what living in a slave society did to non-Black Americans and to the society as a whole.”

Painter puts muscle and heart into history so that her readers can easily, but thoughtfully, draw the lines between past and present. Her history is inclusive, not in a pandering or self-consciously correct way, but because her artful telling of it is full of complexity that’s both beautiful and bracing.

“Once we can write the words ‘trauma’ and ‘slavery’ in the same sentence, we will have enriched our understanding of slavery’s human costs, for enslaved, enslavers, and bystanders,” she writes.

In her memoir, Painter offers an intellectual history of herself, but also a history of us. We’re lucky that she continues to talk. What she has to say can help us more fully understand ourselves — but only if we’re willing to listen.

I Just Keep Talking

A Life in Essays

By Nell Irvin Painter

Doubleday. 418 pp. $35

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Home — Essay Samples — Literature — William Shakespeare — William Shakespeare Research Paper

William Shakespeare Research Paper

• Categories: Romeo and Juliet William Shakespeare

About this sample

Words: 695 |

Published: Jun 13, 2024

Words: 695 | Pages: 2 | 4 min read

Table of contents

Language and themes in shakespeare's works, cultural and historical contexts, relevance and impact of shakespeare's works, bibliography.

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What is Flag Day? Here’s a guide

WAUBEKA, Wis. (AP) — Each June, the people of Waubeka venerate perhaps the nation’s most enduring symbol, celebrating Flag Day, a holiday that escapes the notice of many Americans.

But this unincorporated Wisconsin town about 35 miles north of Milwaukee takes the day seriously. After all, it lays claim to being the birthplace of Flag Day, thanks to a tenacious teacher in a one-room schoolhouse.

Here are some things to know about the obscure flag-waving holiday.

What is Flag Day?

Flag Day commemorates June 14, 1777, when the Continental Congress determined the composition of the nation’s banner: “Resolved, That the flag of the thirteen United States be thirteen stripes, alternate red and white; that the union be thirteen stars, white in a blue field, representing a new constellation.”

READ MORE: 8 things you didn’t know about the Fourth of July

President Woodrow Wilson issued a 1916 proclamation of June 14 as Flag Day and in 1949, President Harry S. Truman signed the formal observance into law. And it falls during Flag Week, after another congressional dictum in 1966.

What about July 4?

Yes, Independence Day makes prominent use of the flag. But the emblem is important enough to have its own day, according to David Janik, a Waubeka native and second-generation president of the National Flag Day Foundation.

“July 4th, we’re celebrating our independence,” Janik said. “But on Flag Day, we’re celebrating the birth of our flag, which is the symbol of our country, the symbol that is seen all around the world as the helper, the people who won’t leave you out in the cold.”

READ MORE: A beginner’s guide to celebrating Juneteenth

Why Waubeka?

On June 14, 1885, Bernard J. Cigrand, an 18-year-old Waubeka native teaching at Stony Hill School, put a flag in his inkwell and assigned his students an essay about what the flag means to them. Cigrand left the next year for dental school in Chicago, but he never gave up his advocacy for a national day dedicated to the flag.

Cigrand realized his dream in 1916 when Wilson issued his proclamation.

Although he died in 1932, Waubeka never forgot Cigrand and in 1946, community leaders established the town’s Flag Day celebration, which has run continuously since then.

Any other ‘first’ Flag Days?

Yes. The earliest mention of Flag Day involves a man named George Morris who organized such a commemoration on June 14, 1861, in Hartford, Connecticut, marked by a patriotic program and prayers for Union Army success in a young Civil War. But apparently, the festivities were never repeated.

Pennsylvanians will challenge Cigrand’s coronation as “Father of Flag Day.” Pittsburgh native William T. Kerr began his advocacy in 1888 and a year later became national chairman of the American Flag Day Foundation, holding that position for a half a century. Kerr was among those standing beside Truman when he signed the Flag Day law.

As for the expected friendly rivalry, Janik said his father, the late Jack Janik, “took care of that.” The elder Janik traveled to Washington and lobbied Congress, which in 2004 adopted a resolution naming Waubeka “the birthplace of Flag Day.”

What about the essays?

Along with the parade, the bands, the patriotism awards, the military honor guards and a dog named Harlow who turns 8 on Flag Day and sported a red, white and blue boater on her head, there are the essays.

In the spirit of Cigrand and his students of 139 years ago, the Waubeka Flag Day celebration includes an annual essay contest and draws entries from across the nation — this year from New York to Nevada and Wisconsin to Texas.

The Stars and Stripes “represent a nation where immigrants like my grandparents are welcomed, where diversity is celebrated and where justice is present for all,” wrote Neel Sood, a 4th grader from Bridgewater, New Jersey.

Adell, Wisconsin 7th grader Ryan Spang wrote that “the American flag represents unity. We are one nation, united by our similarities and differences. We support people in our communities in times of need and we cheer them on in times of achievement.”

Why isn’t it a day off?

Flag Day isn’t like Thanksgiving, Memorial Day and a smattering of other federal holidays that generally mean Americans can spend the day off work.

Instead, it’s officially recognized nationwide, and government services are still open and the mail still gets delivered. Only Pennsylvania marks it as a state holiday, allowing residents to stay home from work and school.

But another backyard barbecue isn’t required to feel the love in Waubeka.

“Our passion for the flag here is very deep,” Janik said. “The flag is the symbol of our country — it symbolizes individualism, success, loss, daring, chivalry. People need a compass to guide them, and the flag is a great compass.”

O’Connor reported from Springfield, Illinois.

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• Introduction
• Conclusions
• Article Information

Estimated incidence per 100 000 person-years at age 60 years is shown by birth year (1908-1983). All curves are on the log 10 scale. These and additional curves are shown in eFigure 11 in Supplement 1 . Tick marks on the x-axis indicate start years for consecutive social generations: 1928-1945, Silent Generation; 1946-1964, Baby Boomers; 1965-1980, Generation X. Shaded areas indicate 95% CIs.

Estimated incidence per 100 000 person-years at age 60 years is shown by birth year (1908-1983). All curves are on the log 10 scale. These and additional curves are shown in eFigure 13 in Supplement 1 . Tick marks on the x-axis indicate start years for consecutive social generations: 1928-1945, Silent Generation; 1946-1964, Baby Boomers; 1965-1980, Generation X. Shaded areas indicate 95% CIs.

Gen X indicates Generation X. Shaded areas indicate 95% CIs.

Fitted cohort pattern curves by cancer site are adjusted for race and ethnicity as described in the Methods, plotted on a natural log scale, and sorted from largest (top) to smallest (bottom). IRR indicates incidence rate ratio; NHL, non-Hodgkins lymphoma.

Arrow plots indicate magnitude and direction of change from older to younger generations. Corresponding percentage changes and 95% CIs are also graphed in eFigure 19 in Supplement 1 .

eMethods. Statistical Methods

eTable 1. Organ-Specific Site Code Used in the Classification of Cancer Sites Using SEER*Stat 8.4.0

eTable 2. Age-Standardized Incidence Rates and Cancer Cases by Sex, Race and Ethnicity, United States, 35-84 Years Old, 1992-2018

eFigure 1. Observed Rates in Females

eFigure 2. APC Fitted Values in Females

eFigure 3. Observed Rates in Males

eFigure 4. APC Fitted Values in Males

eFigure 5. Lack of Fit (LOF) in Females

eFigure 6. Lack of Fit (LOF) in Males

eFigure 7. Higher-Order Deviations vs Lack of Fit (LOF) in Females

eFigure 8. Higher-Order Deviations vs Lack of Fit (LOF) in Males

eFigure 9. Local Drifts in Females

eFigure 10. Local Drifts in Males

eFigure 11. Fitted Cohort Patterns (FCPs) by Cancer Site, Race, and Ethnicity: Females

eFigure 12. Estimated Annual Percentage Change (EAPC) of the Fitted Cohort Pattern (FCP): Females

eFigure 13. Fitted Cohort Patterns (FCPs) by Cancer Site, Race, and Ethnicity: Males

eFigure 14. Estimated Annual Percentage Change (EAPC) of the Fitted Cohort Pattern (FCP): Males

eFigure 15. Average Incidence at Age 60: Generation X vs Baby Boomers

eFigure 16. Average Incidence at Age 60: Baby Boomers vs the Silent Generation

eFigure 17. Average Incidence at Age 60: Silent vs Greatest Generations

eFigure 18. Site-Adjusted Cancer Incidence Rate Ratios (IRRs) for Non-Hispanic Black, Hispanic, and Asian or Pacific Islander vs Non-Hispanic White by Sex and Social Generation

eFigure 19. Percent Changes in Incidence of Leading Cancers at Age 60 Years per 100 000 Person-Years in Successive Generations

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Rosenberg PS , Miranda-Filho A. Cancer Incidence Trends in Successive Social Generations in the US. JAMA Netw Open. 2024;7(6):e2415731. doi:10.1001/jamanetworkopen.2024.15731

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Cancer Incidence Trends in Successive Social Generations in the US

• 1 Division of Cancer Epidemiology and Genetics, Biostatistics Branch, National Cancer Institute, Rockville, Maryland

Question   Is cancer incidence in successive social generations in the US slowing or growing?

Findings   In this cohort study of 3.8 million patients with cancer ascertained by the Surveillance, Epidemiology, and End Results Program, members of Generation X born between 1965 and 1980 have been experiencing larger per-capita increases in the incidence of leading cancers combined than any prior generation born between 1908 and 1964.

Meaning   These findings suggest that based on current trajectories, cancer incidence in the US might remain high for decades.

Importance   The incidence of some cancers in the US is increasing in younger age groups, but underlying trends in cancer patterns by birth year remain unclear.

Objective   To estimate cancer incidence trends in successive social generations.

Design, Setting, and Participants   In this cohort study, incident invasive cancers were ascertained from the Surveillance, Epidemiology, and End Results (SEER) program’s 13-registry database (November 2020 submission, accessed August 14, 2023). Invasive cancers diagnosed at ages 35 to 84 years during 1992 to 2018 within 152 strata were defined by cancer site, sex, and race and ethnicity.

Exposure   Invasive cancer.

Main Outcome and Measures   Stratum-specific semiparametric age-period-cohort (SAGE) models were fitted and incidence per 100 000 person-years at the reference age of 60 years was calculated for single-year birth cohorts from 1908 through 1983 (fitted cohort patterns [FCPs]). The FCPs and FCP incidence rate ratios (IRRs) were compared by site for Generation X (born between 1965 and 1980) and Baby Boomers (born between 1946 and 1964).

Results   A total of 3.8 million individuals with invasive cancer (51.0% male; 8.6% Asian or Pacific Islander, 9.5% Hispanic, 10.4% non-Hispanic Black, and 71.5% non-Hispanic White) were included in the analysis. In Generation X vs Baby Boomers, FCP IRRs among women increased significantly for thyroid (2.76; 95% CI, 2.41-3.15), kidney (1.99; 95% CI, 1.70-2.32), rectal (1.84; 95% CI, 1.52-2.22), corpus uterine (1.75; 95% CI, 1.40-2.18), colon (1.56; 95% CI, 1.27-1.92), and pancreatic (1.39; 95% CI, 1.07-1.80) cancers; non-Hodgkins lymphoma (1.40; 95% CI, 1.08-1.82); and leukemia (1.27; 95% CI, 1.03-1.58). Among men, IRRs increased for thyroid (2.16; 95% CI, 1.87-2.50), kidney (2.14; 95% CI, 1.86-2.46), rectal (1.80; 95% CI, 1.52-2.12), colon (1.60; 95% CI, 1.32-1.94), and prostate (1.25; 95% CI, 1.03-1.52) cancers and leukemia (1.34; 95% CI, 1.08-1.66). Lung (IRR, 0.60; 95% CI, 0.50-0.72) and cervical (IRR, 0.71; 95% CI, 0.57-0.89) cancer incidence decreased among women, and lung (IRR, 0.51; 95% CI, 0.43-0.60), liver (IRR, 0.76; 95% CI, 0.63-0.91), and gallbladder (IRR, 0.85; 95% CI, 0.72-1.00) cancer and non-Hodgkins lymphoma (IRR, 0.75; 95% CI, 0.61-0.93) incidence decreased among men. For all cancers combined, FCPs were higher in Generation X than for Baby Boomers because gaining cancers numerically overtook falling cancers in all groups except Asian or Pacific Islander men.

Conclusions and Relevance   In this model-based cohort analysis of incident invasive cancer in the general population, decreases in lung and cervical cancers in Generation X may be offset by gains at other sites. Generation X may be experiencing larger per-capita increases in the incidence of leading cancers than any prior generation born in 1908 through 1964. On current trajectories, cancer incidence could remain high for decades.

Is cancer incidence in the US—ie, the number of newly diagnosed cases per capita per year—slowing or growing? Notably, while the incidence of certain cancers is declining, 1 others are increasing in younger age groups (aged <50 years). 2 These temporal patterns encompass a diversity of neoplasms and vary over time by demographic factors, including age, sex, and race and ethnicity. A more fundamental question is: are we collectively experiencing lower cancer incidence as we age than the generation of our parents?

Analyses that focus on birth years and social generations can provide insights into cancer prevention and health care accessibility and highlight persistent demographic and socioeconomic inequalities that span generations. Nevertheless, tracking the history of cancer in the US is challenging because cancers evolve over the lifetimes of individuals, 3 yet the observational period of contemporary cancer registries spans at most a few decades. 4 Hence, we must reconstruct the longitudinal history of cancer in the population from a time-limited series of cross-sectional observations. To understand the overarching trends, it is imperative to assemble these snapshots into a cohesive longitudinal narrative for a variety of cancer types in diverse demographic groups.

With the use of new statistical methods, 5 , 6 we can now obtain single-year reconstructions of cancer incidence by age, period, and birth cohort with unprecedented precision. Our goal is to model the shifting landscape of cancer from one birth year to the next for leading cancers in men and women by race and ethnicity. From this ensemble, we hope to glean insights into the overall trajectory of cancer in the US from the Greatest Generation (born from 1908 through 1927) through Generation X (born from 1965 through 1980).

Our cohort study was based on publicly available, deidentified data and, therefore, the National Cancer Institute institutional review board determined it exempt from review and informed consent. This study follows the Strengthening the Reporting of Observational Studies in Epidemiology ( STROBE ) reporting guideline.

We collected case and person-years at risk data from the Surveillance, Epidemiology, and End Results (SEER) program’s 13-registery database using SEER*Stat, version 8.4.0. Data ascertained for the November 2020 submission were retrieved on August 14, 2023 (eTable 1 in Supplement 1 ). Using these data, we assembled 152 rate matrix Lexis diagrams 7 covering 50 single years of age (35-84 years) and 27 calendar years (1992-2018), spanning 76 single-year birth cohorts (1908-1983) for 21 leading invasive cancers in women and men within 4 racial and ethnic categories: Asian or Pacific Islander, Hispanic, non-Hispanic Black, and non-Hispanic White. The definitions of race and ethnicity follow the criteria established by the SEER program. 8 In brief, the SEER program uses an algorithm to recode detailed race and origin variables in the SEER incidence data. The 21 leading invasive cancers were esophageal, stomach, gallbladder, liver, pancreatic, colon, rectal, kidney, bladder, leukemia, non-Hodgkin lymphoma (NHL), myeloma, brain and central nervous system (hereafter, brain), thyroid, lung, melanoma of skin (hereafter, melanoma), breast, ovarian, corpus uterine (hereafter, corpus), cervix uterine (hereafter, cervical), and prostate (eTable 2 in Supplement 1 ).

We analyzed each Lexis diagram using semiparametric age-period-cohort (SAGE) analysis. 6 The basic idea is to denoise the observed Lexis diagrams upfront by using a contemporary nonparametric procedure, 5 then fit the new age-period-cohort (APC) model to the smoothed Lexis diagrams. 9 The new APC model contains parameters that describe how expected rates vary as a function of birth cohort, accounting for age and calendar period effects. We used the model parameters to estimate the fitted cohort pattern (FCP). The FCP estimates the absolute incidence of a cancer at an arbitrary reference age (here, 60 years) for each birth year in the Lexis diagram. 9 Additional details are provided in the eMethods in Supplement 1 .

To further characterize FCP features, we fitted Joinpoint models 10 to the FCPs, allowing up to 5 segments, each with 10 or more birth years. We also computed mean FCPs and corresponding variances for the following social generations: Greatest Generation (1908-1927), Silent Generation (1928-1945), Baby Boomers (1946-1964), and Generation X (1965-1980). We had too few data points to produce estimates for Millennials (1981-1996).

To compare and contrast mean FCP values across generations, we fitted log-linear models to the generational differences in site-specific FCPs among men and women separately for the Silent vs Greatest Generations, Baby Boomers vs the Silent Generation, and Generation X vs Baby Boomers. We adjusted for race and ethnicity with non-Hispanic White as the reference group and weighted the data inversely with the estimated variance of each difference.

The SEER registries do not record the parents’ birth year for each cancer case. However, on average, the parents of Generation X are Baby Boomers and members of the Silent Generation, and the parents of Baby Boomers are members of the Silent and Greatest Generations. To see this assumption, subtract 20 through 29 years (mean maternal age at birth during our study period 11 ) from the end points of each generation, yielding 1917-1944 for Baby Boomers, which straddles the Greatest and Silent Generations (eg, 1917-1927 and 1928-1944, respectively), and 1936-1960 for Generation X, which straddles the Silent Generation and Baby Boomers (eg, 1936-1945 and 1946-1960, respectively). Similarly, the proxy parents of the Millennial generation (1981-1996) straddle the Baby Boomers and Generation X (eg, 1952-1964 and 1965-1976, respectively). In our study, we make no adjustments for multiple testing.

In total, we analyzed 3.8 million cases of incident cancer occurring over 521 million person-years (eTable 2 in Supplement 1 ). Overall, 51.0% of individuals were male (compared with 49.0% female) and 71.5% were non-Hispanic White (compared with 8.6% Asian or Pacific Islander, 9.5% Hispanic, and 10.4% non-Hispanic Black).

The SAGE analysis produced optimally smoothed single-year estimates of incidence for 80 female strata (observed Lexis diagrams, eFigure 1 in Supplement 1 ; smoothed APC fitted rates, eFigure 2 in Supplement 1 ) and 72 male strata (observed, eFigure 3 in Supplement 1 ; smoothed, eFigure 4 in Supplement 1 ). For the majority, lack of fit (LOF) (females, eFigure 5 in Supplement 1 ; males, eFigure 6 in Supplement 1 ) was negligible or small relative to the corresponding annual fluctuations (females, eFigure 7 in Supplement 1 ; males, eFigure 8 in Supplement 1 ). The most prominent LOF was observed for liver, rectal, and brain cancers and melanoma in females and liver, brain, thyroid, and prostate cancers in males. Time trends by age (local drifts) were significant in all strata (females, eFigure 9 in Supplement 1 ; males, eFigure 10 in Supplement 1 ). As shown previously, 6 LOF had little effect on the local drifts for the Lexis diagrams included in our study. Hence, the model fits appear adequate. 6

eFigure 11 in Supplement 1 presents FCPs by cancer site for women by race and ethnicity. Six of these FCPs, including pancreatic, colon, kidney, thyroid, lung, and cervical, are also shown in Figure 1 A through F, respectively. The statistical efficiency of the SAGE analysis yielded partially or fully nonoverlapping curves within most FCPs; the conclusions below were obtain by visual inspection.

Differences by race and ethnicity strongly depended on birth cohort. There were marked declines in cervical FCPs across all racial and ethnic groups. Incidence rates were highest among the Greatest Generation in non-Hispanic Black women for esophageal, pancreatic, and colon cancers and myeloma; in Hispanic women for gallbladder cancer; in Asian or Pacific Islander women for stomach and liver cancers; and in non-Hispanic White women for bladder, breast, ovarian, and corpus cancers and leukemia, NHL, and melanoma. Patterns by race and ethnicity were similar for the Silent Generation. Patterns changed with the Baby Boomers. Notable changes included convergence of esophageal cancers in non-Hispanic Black and non-Hispanic White women; steep declines for stomach cancer in Asian or Pacific Islander women; and steep increases in corpus cancer for Asian or Pacific Islander, Hispanic, and non-Hispanic Black women. In Generation X women, the FCPs consistently increased for liver, colon, rectal, kidney, thyroid, and corpus cancers ( Figure 1 ; eFigure 11 in Supplement 1 ). Estimates of the corresponding estimated annual percentage changes (EAPCs) of the FCPs obtained by Joinpoint analysis are shown in eFigure 12 in Supplement 1 .

eFigure 13 in Supplement 1 presents FCPs by cancer site for men. Six of these FCPs, including pancreatic, colon, kidney, thyroid, lung, and prostate, are also shown in Figure 2 A through F, respectively. For thyroid cancer, increases by cohort were slower in Asian or Pacific Islander, Hispanic, and non-Hispanic Black men compared with women, and peak incidence for lung cancer occurred earlier in men compared with women. The FCPs for prostate cancer were parallel across racial and ethnic groups, being highest in non-Hispanic Black and lowest in Asian or Pacific Islander men. In Generation X men, the FCPs were consistently increasing for colon, rectal, kidney, and thyroid cancers ( Figure 2 ; eFigure 13 in Supplement 1 ). eFigure 14 in Supplement 1 provides the corresponding estimated EAPCs.

Figure 3 presents the sum of the cancer site–specific FCPs (20 sites in women and 18 in men) by sex and race and ethnicity. Among men, incidence at age 60 years declined through the Greatest and Silent Generations in all 4 racial and ethnic groups. Subsequently, incidence increased for the Baby Boomers. Except for Asian or Pacific Islander men, incidence continued to increase in Generation X.

In contrast, among women, incidence was comparatively stable among members of the Greatest and Silent Generations and then increased beginning with the Baby Boomers for non-Hispanic White individuals ( Figure 3 A), then the Silent Generation for Hispanic and Asian or Pacific Islander ( Figure 3 C and D) and Generation X for non-Hispanic Black individuals ( Figure 3 B). Within each racial and ethnic group, the large male excess in the Greatest Generation diminished in subsequent generations. By Generation X, Hispanic and non-Hispanic White women had a similar incidence to their male counterparts ( Figure 3 A and C), and Asian or Pacific Islander women had a higher incidence compared with their male counterparts ( Figure 3 D). In the non-Hispanic Black group, the male excess persisted.

eFigure 15 in Supplement 1 presents arrow plots of mean FCP values by cancer site for Generation X vs Baby Boomers stratified by sex and race and ethnicity. Within each stratum, the FCP for Generation X was higher than the corresponding FCP for Baby Boomers at some sites and lower at others. Similar heterogeneity was observed in arrow plots of Baby Boomers vs the Silent Generation (eFigure 16 in Supplement 1 ) and the Silent vs Greatest Generations (eFigure 17 in Supplement 1 ).

To synthesize these data, we estimated FCP incidence rate ratios (IRRs) by fitting log-linear models to the estimated FCPs in eFigures 15 to 17 in Supplement 1 . For example, for Generation X vs Baby Boomer women, we synthesized the 80 arrows shown in panels eFigure 15A to D in Supplement 1 . Each arrow, which is indexed by site and race and ethnicity, contributed 1 difference or IRR to the modeled data. The estimated variances of the differences were used as weights.

Figure 4 presents forest plots of the site-specific IRRs between successive social generations adjusted for race and ethnicity in women and men. Point estimates are shown for non-Hispanic White individuals. Estimates for other racial and ethnic groups are similar (eFigure 18 in Supplement 1 ). Site-specific IRRs varied markedly by generation except for the brain.

The incidence of many cancers increased significantly in members of Generation X vs Baby Boomers ( Figure 4 ). Among women, increases were observed for the following cancers: thyroid (IRR, 2.76, 95% CI, 2.41-3.15), kidney (IRR, 1.99; 95% CI, 1.70-2.32), rectal (IRR, 1.84; 95% CI, 1.52-2.22), corpus (IRR, 1.75; 95% CI, 1.40-2.18), colon (IRR, 1.56; 95% CI, 1.27-1.92), NHL (IRR, 1.40, 95% CI 1.08-1.82), pancreatic (IRR, 1.39; 95% CI, 1.07-1.80), and leukemia (IRR, 1.27; 95% CI, 1.03-1.58). Among men, increases were observed for the following cancers: thyroid (IRR, 2.16; 95% CI, 1.87-2.50), kidney (IRR, 2.14; 95% CI, 1.86-2.46), rectal (IRR, 1.80; 95% CI, 1.52-2.12), colon (IRR, 1.60; 95% CI, 1.32-1.94), leukemia (IRR, 1.34; 95% CI, 1.08-1.66), and prostate (IRR, 1.25; 95% CI, 1.03-1.52). Other cancers decreased, including lung (IRR, 0.60; 95% CI, 0.50-0.72) and cervical (IRR, 0.71; 95% CI, 0.57-0.89) among women and lung (IRR, 0.51; 95% CI, 0.43-0.60), NHL (IRR, 0.75; 95% CI, 0.61-0.93), liver (IRR, 0.76; 95% CI, 0.63-0.91), and gallbladder (IRR, 0.85; 95% CI, 0.72-1.00) among men.

Figure 5 summarizes incidence at age 60 years for leading cancers combined, averaged over birth years within successive generations. eFigure 19 in Supplement 1 plots the corresponding percentage changes. Comparing the Silent vs Greatest Generations ( Figure 5 A), combined incidence decreased significantly in both sexes and all 4 racial and ethnic groups. The decreases were greater for men compared with women. For example, incidence decreased by 41.0% (95% CI, −43.9% to −38.1%) in non-Hispanic White men vs 5.6% (95% CI, −6.6% to −4.6%) in non-Hispanic White women. In contrast, comparing Baby Boomers with the Silent Generation ( Figure 5 B), combined incidence had a mixed pattern, decreasing in some groups, eg, by 5.4% (95% CI, −6.1% to −4.8%) and 10.6% (95% CI, −11.6% to −9.5%), respectively, in non-Hispanic White women and men, but increasing in others, eg, by 13.0% (95% CI, 11.1%-14.9%) among Hispanic women.

Comparing Generation X with Baby Boomers ( Figure 5 C), combined incidence increased in all groups except for Asian or Pacific Islander men. The increases ranged from 5.5% (95% CI, 1.4%-9.7%) in non-Hispanic Black women to 28.0% (95% CI, 23.5%-32.5%) in Hispanic women. The increases ranged from 10.4% (95% CI, 0.7%-20.1%) in Hispanic men to 13.7% (95% CI, 2.4%-24.9%) in non-Hispanic White men. The increase among non-Hispanic Black men was 13.7% (95% CI, −1.9% to 29.2%). Incidence decreased by 8.2% (95% CI, −15.6% to −0.9%) among Asian or Pacific Islander men. Except for Asian or Pacific Islander men, these increases were larger than any observed in prior social generations (eg, point estimates in Figure 5 C are larger than corresponding point estimates in Figure 5 A and B). In absolute terms, non-Hispanic Black men in Generation X had the highest combined incidence at 1561 cases per 100 000 person-years (95% CI, 1493-1629 cases per 100 000 person-years), while Asian or Pacific Islander men had the lowest at 519 cases per 100 000 person-years (95% CI, 474-563 cases per 100 000 person-years).

Male Baby Boomers had a lower combined incidence than their proxy parents (Greatest and Silent Generation birth cohorts from 1917 to 1944) ( Figure 5 D), with the greatest reduction of 28.8% (95% CI, −31.0 to −26.7%) in non-Hispanic Black men. The decreases among men were statistically significant in the other 3 racial and ethnic groups (Asian or Pacific Islander, −16.8% [95% CI, −19.5% to −14.2%]; Hispanic, −11.3% [95% CI, −14.0% to −8.6%]; non-Hispanic White, −20.8% [95% CI, −21.9% to −19.7%]). Female Baby Boomers had a mixed pattern: non-Hispanic White women, 7.0% lower (95% CI, −7.7% to −6.3%); essentially unchanged in non-Hispanic Black women, 0.7% higher (95% CI, −1.3% to 2.7%); Hispanic women, 12.1% higher (95% CI, 9.8%-14.4%); Asian or Pacific Islander women, 7.7% higher (95% CI, 5.4%-10.0%).

In contrast, members of Generation X had a higher combined incidence than their proxy parents (Silent Generation and Baby Boomers birth cohorts from 1936 to 1960) ( Figure 5 E) in all demographic groups except for Asian or Pacific Islander men. These increases were statistically significant in all 4 racial and ethnic groups among women (Asian or Pacific Islander, 20.1% [95% CI, 15.7%-24.4%]; Hispanic, 34.9% [95% CI, 29.8%-40.0%]; non-Hispanic Black, 6.1% [95% CI, 1.7%-10.5%]; non-Hispanic White, 15.1% [95% CI, 13.1%-17.2%]) and in Hispanic (14.1%; 95% CI, 3.6%-24.5%) and non-Hispanic White (11.9%; 95% CI, 0.7%-23.0%) men. Similarly, the proxy parents of the Millennials (Baby Boomer and Generation X birth cohorts from 1952 to 1976) also had higher cancer incidence than the proxy parents of Generation X in all demographic groups except Asian or Pacific Islander males ( Figure 5 F). The increases were statistically significant in Asian or Pacific Islander (11.1%; 95% CI, 8.9%-13.2%), Hispanic (17.8%; 95% CI, 15.4%-20.2%), and non-Hispanic White (4.5%; 95% CI, 3.6%-5.5%) women and in Hispanic (9.0%; 95% CI, 4.1%-14.0%) and non-Hispanic White (4.7%; 95% CI, 0.4%-9.0%) men.

In this cohort study, we asked whether we, collectively, are experiencing lower cancer incidence as we age than our parents. Using SAGE analysis, we were able to reconstruct the cancer experience of social generations from the Greatest Generation through Generation X and use selected birth years from the 2 preceding social generations as a proxy for the corresponding parental generation. To arrive at an overall conclusion, we used a simple summary measure: the incidence of leading cancers combined (20 sites in women and 18 sites in men).

For Baby Boomers (1946-1964) vs their proxy parents (1917-1944), the answer was yes for men (ie, progress) and mixed for women ( Figure 5 D). For Generation X (1965-1980) vs their proxy parents (1936-1960), the answer was no in all groups except for Asian or Pacific Islander males ( Figure 5 E).

The increases in cancer incidence in members of Generation X vs their proxy parents were substantial, especially among Hispanic women (a 34.9% increase) and men (a 14.1% increase). In contrast, the corresponding increases among non-Hispanic White women and men were 15.1% and 11.9%, respectively. We obtained similar results when we compared the Generation X to Baby Boomer social generations ( Figure 5 C). Furthermore, between the Greatest Generation and Generation X, the historical male cancer excess narrowed (non-Hispanic Black and non-Hispanic White men), declined to parity (Hispanic men), or reversed (Asian or Pacific Islander men) ( Figure 3 ).

Our conclusions are more concerning than previously reported increases in cancer incidence in younger age groups. 2 , 12 Those results, based on local drifts, describe the slope of the FCP curve in consecutive blocks of P birth years, where P is the total number of calendar years in the analysis (eg, P  = 19 in Sung et al 2 ; P  = 27 in our analyses). 9 For this reason, local drifts provide lagging and conservative indicators of changes from one birth year to the next. Furthermore, using SAGE analysis, we were able to estimate absolute FCP values for single-year birth cohorts and consecutive changes in incidence per birth year vs the 10-year overlapping cohort relative risks reported by Sung et al. 2

The substantial increases we identified in Generation X vs both the Baby Boomers and their proxy parents surprised us. Numerous preventable causes of cancer have been identified. 13 Cancer control initiatives have led to substantial declines in tobacco consumption. 14 Screening is well accepted for precancerous lesions of the colon, rectum, cervix, uterus, and breast. 15 However, other suspected carcinogenic exposures are increasing. 16 - 18

Unfortunately, as shown in our detailed comparative analysis of Generation X vs Baby Boomers, gaining cancers have numerically overtaken falling cancers. Among Generation X women, statistically significant declines in lung and cervical cancers have been overtaken by significant increases in thyroid, kidney, rectal, corpus, colon, pancreatic, and ovarian cancer and NHL and leukemia ( Figure 4 C). Among Generation X men, declines in lung, liver, and gallbladder cancers and NHL have been overtaken by gains in thyroid, kidney, rectal, colon, and prostate cancers and leukemia ( Figure 4 F).

Some portion of these increases can be attributed to rising obesity rates 19 and increasingly sedentary lifestyles. 20 - 23 Another portion might be explained by changes in cancer registry policies and International Statistical Classification of Diseases and Related Health Problems, 10th Revision (World Health Organization) classifications, 24 leading to inclusion of relatively indolent lesions in more recent periods that might not have been diagnosed as cancer in earlier periods. Furthermore, radiologic diagnoses have become more common following widespread deployment of sophisticated medical imaging technologies, 25 especially for thyroid 26 , 27 and kidney 28 , 29 cancers. We chose not to exclude any leading cancer site from our summaries because our granular estimates are freely available (eFigures 15-17 in Supplement 1 ).

Our results beg the question of what the cancer experience may be like among the 72 million Millennials (1981-1996) when they enter their 40s, 50s, and 60s. On one hand, our analysis shows that the proxy parents of the Millennials are experiencing as much or more cancer than the proxy parents of Generation X ( Figure 5 F). This increase is concerning because of shared cancer-predisposing lifestyle factors and exposures. On the other hand, thanks to the global investment in cancer research, there are tremendous opportunities to prospectively reduce the Millennials’ future cancer burden.

The American Cancer Society, 30 Centers for Disease Control and Prevention, 31 and World Health Organization 13 advocate a series of preventive actions to diminish cancer risks. These include reducing tobacco and alcohol use, increasing physical activity, improving dietary habits, and promoting breastfeeding. These recommendations can also reduce heart disease 32 and cognitive decline. 33

Unfortunately, universal implementation of these recommendations in the US is a work in progress. The Black-to-White cancer mortality gap narrowed following passage of the Patient Protection and Affordable Care Act. 34 , 35 However, income inequality, 36 underinsurance, 37 - 39 food swamps and deserts, 40 , 41 deficits in the built environment, 42 and other factors make it difficult for everyone to eat healthy and stay active. 30 Taken together, these findings indicate that for many people in the US, a healthy lifestyle remains, to various degrees, an unattainable privilege rather than a fundamental right. The extent to which lifestyle disparities explain rising generational cancer rates in our data and falling life expectancies in other studies 43 is unclear and, in our view, merits further study.

Our study has 2 major limitations. First, the numbers of less common cancers in the SEER 13-registry database among Asian or Pacific Islander, Hispanic, and non-Hispanic Black men and women are limited, especially for esophageal and gallbladder cancers and melanoma. Second, our conclusions derive from modeling. Even so, we believe that our detailed analysis of 3.8 million individuals with invasive cancers in 152 distinct strata mitigated many potential biases. Furthermore, at most cancer sites, the birth cohort effects were substantial, and the LOF was relatively small. For this reason, we believe that it is appropriate to draw conclusions from our FCP estimates. However, it is important to appreciate that the FCP incorporates backward projection for older cohorts and forward projection for younger cohorts; in other words, it is very much a model-based quantity.

The models in this cohort study suggest that Generation X is experiencing larger per-capita increases in the incidence of leading cancers combined than any prior generation born from 1908 through 1964. In addition, the rate of leading cancers appears to be as high or higher in the proxy parents of the Millennials than the proxy parents of Generation X. Therefore, if the Millennials’ cancer experience follows the estimated trajectory of their proxy parents, cancer incidence in the US could remain unacceptably high for decades to come.

Accepted for Publication: April 8, 2024.

Published: June 10, 2024. doi:10.1001/jamanetworkopen.2024.15731

Open Access: This is an open access article distributed under the terms of the CC-BY License . © 2024 Rosenberg PS et al. JAMA Network Open .

Corresponding Author: Philip S. Rosenberg, PhD, Division of Cancer Epidemiology and Genetics, National Cancer Institute, NCI Shady Grove, Room 7E-130, 9609 Medical Center Dr, Bethesda, MD 20892 ( [email protected] ).

Author Contributions: Drs Rosenberg and Miranda-Filho had full access to all of the data in the study and take responsibility for the integrity of the data and the accuracy of the data analysis.

Concept and design: All authors.

Acquisition, analysis, or interpretation of data: All authors.

Drafting of the manuscript: All authors.

Critical review of the manuscript for important intellectual content: All authors.

Statistical analysis: All authors.

Administrative, technical, or material support: Miranda-Filho.

Supervision: Rosenberg.

Conflict of Interest Disclosures: None reported.

Funding/Support: This study was supported by the Intramural Research Program of the Division of Cancer Epidemiology and Genetics, National Cancer Institute (Drs Rosenberg and Miranda-Filho) and through an appointment to the National Cancer Institute Oak Ridge Institute for Science and Education Research Participation Program under contract DE-SC0014554 from the Department of Energy (Dr Miranda-Filho).

Role of the Funder/Sponsor: The funders had no role in the design and conduct of the study; collection, management, analysis, and interpretation of the data; or preparation of the manuscript. The Division of Cancer Epidemiology and Genetics, National Cancer Institute, reviewed and approved the manuscript and approved the decision to submit the manuscript for publication.

Data Sharing Statement: See Supplement 2 .

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SUNY Potsdam History Faculty & Alumni Present at Egypt Research Conference

Suny potsdam professor dr. steven stannish and alumna dr. alexandra morris ’12 present at american research center in egypt conference  .

A faculty member and two alumni from SUNY Potsdam’s Department of History recently met and presented research at the 2024 American Research Center in Egypt (ARCE) meeting, held in Pittsburgh.  

Associate Professor Dr. Steven Stannish and alumna Dr. Alexandra Morris ’12 took part in a well-attended panel discussion, “The Undiscovered Country: Disability in Ancient Egypt,” based on a forthcoming collection of essays they have both contributed to.   

While there, they met with alumnus and fellow Egyptologist Daniel Warne ’07, an experienced archaeologist who is now a Ph.D. candidate at the University of Memphis. Warne has worked at sites including the Faiyum Oasis and at Thebes in Egypt.  

Stannish’s discussion focused on his essay, titled “ Grande Morbidezza : The Invention of Akhenaten’s Illness.” He has been working on the pharaoh Akhenaten and the Amarna Period for three decades, with most of his scholarship focusing on the traditional Egyptological narrative of Akhenaten’s reign and its aftermath. Beyond this focus, Stannish’s research has also extended to the religious reformation under Akhenaten, roles of women as depicted in early Christian and Greek historical texts, and a psychological portrait of Saint Augustine. He teaches courses in hieroglyphs and on the ancient Middle East and Mediterranean, among many others.   

Morris organized the session, and focused her comments on her forthcoming essay, “The Measure of a Man: Akhenaten, Tutankhamun, and the (Pseudo)science of Disability in Ancient Egypt,” which examines the historical receptions of the father and son pharaohs through the lenses of ableist and disablist biases. Morris was recently awarded her Ph.D. from Teesside University, in Middlesbrough, England, and her research interests include disability in the ancient world, ancient Egyptian and Greek art, medicine and religious practices, Ptolemaic Egypt, Alexander the Great, and creating more accessible and inclusive museum experiences for the disabled community.  

Support for the trip was provided by the Schwaller Fund for Faculty Development, endowed by President Emeritus Dr. John F. Schwaller (Hon. ’13) and Anne Schwaller.  

SUNY Potsdam’s Department of History offers a variety of courses ranging from the ancient world to the present, and from Africa and Asia to Europe and the Americas. The department’s faculty is comprised of inquisitive scholars, whose passion for history enlivens their classrooms. For more information, visit www.potsdam.edu/academics/AAS/History .  

About SUNY Potsdam:   

Founded in 1816, The State University of New York at Potsdam is one of America’s first 50 colleges—and the oldest institution within SUNY. Now in its third century, SUNY Potsdam is distinguished by a legacy of pioneering programs and educational excellence. The College currently enrolls approximately 2,500 undergraduate and graduate students. Home to the world-renowned Crane School of Music, SUNY Potsdam is known for its challenging liberal arts and sciences core, distinction in teacher training and culture of creativity. To learn more, visit www.potsdam.edu .  

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