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COOL JAZZ Just as BeBop contrasted from Swing, Cool Jazz will contrasted similarly from BeBop Cool Jazz steps away from the fiery and aggressive playing.

Published by Cecil Warren Modified over 8 years ago

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Presentation on theme: "COOL JAZZ Just as BeBop contrasted from Swing, Cool Jazz will contrasted similarly from BeBop Cool Jazz steps away from the fiery and aggressive playing."— Presentation transcript:

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Jazz Presentation templates

The double bass begins to set the rhythm. a saxophone starts playing a melody. suddenly, a trumpet with a sordine joins in. you are listening to jazz music this musical genre was born at the end of the 19th century in the united states and the impact it has had on music has been gigantic. so huge is its influence that we even have our own section of jazz-related templates. take a look.

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Origins of Jazz - PowerPoint PPT Presentation

Origins of Jazz

Origins of jazz intro to jazz jazz is a strictly american style of music created by musicians who were predominantly african american created for performing in the ... – powerpoint ppt presentation.

• Jazz is a strictly American style of music
• Created by musicians who were predominantly African American
• Created for performing in the streets, bars, brothels, and dance halls in New Orleans other Southern cites
• Jazz is characterized by
• Improvisation
• Syncopation
• Steady beat
• Unique tone colors and performance techniques
• Term jazz became popular in 1917
• Probably as early as 1900, but because early jazz did not exist in notation, its impossible to know when jazz was first heard
• First jazz recording was the Dixieland Jazz Band in 1917
• Has since developed into several styles, including
• New Orleans
• Center of jazz has shifted from New Orleans to Chicago, Kansas City, and New York
• No center for jazz exists today, as the music has spread worldwide
• Originally intended as dance music, but since the 1940s, newer styles are intended for listening
• As likely to hear jazz in a concert hall as in a bar or nightclub
• Lincoln Center and Carnegie Hall have regular jazz series
• Jazz Masterworks Orchestra has been founded at the Smithsonian National Museum of American History
• Colleges offer course and majors in jazz
• Blend of many cultures, mostly West African, American, and European
• West African influences include
• Drumming and percussive sounds
• Complex rhythms
• Call and Response- a voice or instrument is answered by another voice or instrument
• American influences included the body of music developed by African Americans
• Gospel Hymns
• Dances like the cakewalk
• Marching Band instruments were included in early jazz bands
• Band music helped shape the forms and rhythms of early jazz
• Ragtime is a style of piano music developed by black pianists who played in saloons and dance halls
• Characterized by
• Duple meter
• Moderate tempo
• Highly syncopated right hand
• Left hand maintains steady beat with oom-pah
• Composed by Scott Joplin in 1899
• One of the most famous piano rags in history and first piece by an African American to sell well
• March form Two sixteen measure strains, followed by a trio a fourth higher, than two more strains
• This recording is from a player piano in 1916
• Refers to both a form of vocal and instrumental music and style of performance
• Grew out of African American folk music
• Uncertain when blues originated, but sung in rural areas in the south by 1890s
• Original country blues sung with guitar accompaniment and no standardized form or style
• Form of blues began to standardize with WC Handys Memphis Blues(1912) and St. Louis Blues (1912)
• Became a national craze among African Americans in the 1920s
• 12 bar blues became standard form in blues music
• 1940s saw emergence of urban blues in Chicago- used electric guitar and amps
• Involves only three chords Tonic (I), Subdominant (IV), and Dominant (V)
• Line 1 Four measures of I
• Line 2 Two measures IV, two measures I
• Line 3 Two measures of V, two measures I
• Each stanza sung or played to the same series of chords, though other may be inserted between the main ones
• Usually in Duple Meter
• Use bent notes, scoops, slides
• Blue notes and scales used
• Produced by lowering the 3rd, 5th, and 7th of the scale approximately one half step
• Rhythm is flexible- often around the beat
• Jazz instrumentalists used 12-bar blues and blue notes as a basis for improvisation
• Performed by Bessie Smith, the empress of the blues- most famous blues singer in the 1920s
• Each stanza is a 12-bar blues pattern
• Improvised cornet imitates the vocal lines
• Listen for the inflections in her voice- characteristic of jazz and blues singers
• Smith varies the pitch and rhythm of line to create interest and build to the end of the song

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Student Handout

1. National Center for History in the Schools, UCLA

2. NAfME: The National Association for Music Education

3. For information on ordering The Instrumental History of Jazz 2-CD set, click here .

4. Student handouts can be downloaded from the Jazz in America website and photocopied.

5. Any material from the Jazz in America website may be downloaded, printed, and/or made into a PowerPoint slide as the instructor sees fit.

Chill Out with Cool Jazz

Origins of Cool Jazz

As a genre, jazz originated in New Orleans as traditional jazz. New Orleans was a breeding ground for jazz because of its aquatic access, extensive cultural heritage, and celebratory freedoms. The marching band celebrations of Congo Square were transformed into traditional jazz through Charles Bolden’s artistic ingenuity. Throughout the 20th century, this traditional jazz proliferated into various subcategories of the polyphonic genre. A prominent sub-genre of jazz was cool jazz. Cool jazz originated after World War II and gained popularity in the 1950s due to the improvisational works of Miles Davis. The release of the Birth of the Cool recordings in 1949 and 1950 marked the commencement of cool jazz in the jazz community. Cool jazz’s origins can be found in New York while being largely popular later in Los Angeles and San Francisco.

Elements of the Cool Jazz Sub-Genre

Cool jazz artists used light tones and unorthodox instrumentation including vibraphones and xylophones. In addition, instruments included the saxophone, piano, and trumpet. Miles Davis described cool jazz as being very light and highly expressive. The elements comprising the cool jazz sub-genre highly contrasted the existing modern jazz genres of this time period. Bebop, another prominent sub-genre of jazz, was a staccato two-tone phrase jazz arrangement of fast tempos that led to the creation of hard bop. Hard bop directly contrasted with cool jazz based on their tonal codings, resembling black and white sounds respectively. For this reason, the lightly textured cool jazz was thoroughly dominated by white artists. These white artists often modeled their instrumentation and musical styles after Cool jazz included down tempo arrangements as opposed to the faster tempos of bebop and hard bop. Cool jazz resembles classical music with its incorporation of elements such as fugue. This similarity also stems from the fact that jazz is considered black classical music. Musicians had to be highly skilled to be able to do complex runs that are often seen in classical music. In addition, highly trained classical musicians mixed their background with jazz elements from the South. So, cool jazz emphasized these stark homages in its foundation. Polyphony was also a major characteristic of jazz, so it was prominent in cool jazz. Artists tended to weave independent lines into a single arrangement.

Social Implications and Commodification

After World War II, America was still largely segregated. Cool jazz emulated this system by displaying a stark racial division within the sub-genres of jazz. The relaxed tones of cool jazz were primarily performed by white artists from the West. Its counterpart, hard bop, was a sub-genre dominated by African American musicians. Once white artists took over the cool jazz sounds, Black artists were encouraged to pursue the hard bop sounds categorized by African American harmonies. For this reason, it was uncommon to see cool jazz played by African American artists. However, Birth of the Cool was a stark exception to the commonality. These recordings were largely interracial, showing the possibility for prominent success even with racial intermingling.

Because many cool jazz performers were white, the majority of syndication and credit in the genre was given to White performers. Cool jazz earnings were primarily disseminated to white artists. The exception lies in Miles Davis’ artistry as he was able to successfully record and publish songs of the sub-genre. Birth of the Cool was released in 1957 by Capitol Records, with subsequent releases proceeding. The recordings were sold as albums and individual records and were played through radio syndication.

Important Cool Jazz Artists

• Miles Davis’ (1926-1991) release of Birth of the Cool sparked the invention of the cool jazz sub-genre.

• Gil Evans (1912-1988) played an instrumental role in the development of cool jazz.

• The Modern Jazz Quartet (1946-1974; 1981-1993) was one of the most popular jazz groups. They defied stereotypical cool sounds by being an African American group.

• Stan Getz (1927-1991) was a West Coast saxophonist who modeled his playing after Lester Young.

• Lee Konitz (1927-) was a prominent West Coast cool jazz saxophonist.

• Paul Desmond (1924-1977) was one of the most popular cool jazz artists. He composed cool jazz songs for the Dave Brubeck Quartet.

Influence on Future Genres

The polyphony found in cool jazz also gave future genres such as soul, funk, R&B, and hip-hop a polyphonic sound. The workings of artists in cool jazz and other jazz sub-genres of this time also influenced later jazz artists beyond the 1980s. These artists vowed to distinguish themselves from fusion jazz by re-implementing crucial traditional elements found in cool jazz and similar sub-genres. Because of racial division at the time, it can be argued that cool jazz sparked the prominence of hard bop. That is, because cool jazz was dominated by white artists, hard bop was a haven for contrasting sounds played by Black artists.

Conclusory Opinions

Before learning about the sub-genres of jazz, I associated the sounds and tones of cool jazz as being the entire jazz genre. It was fascinating to learn that my perspective of jazz was largely minute. It was also interesting to see a genre encapsulated as an African American genre but be predominately white. This was the first genre that I saw this out of all of the Black music we have studied. Lastly, I think it is interesting that cool jazz was so racially divisive despite the words of Miles Davis: “M usic has no color; It’s a raceless art.”

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